song,â Ada Mae say.
âThis song? Swing looooooow. Sah-weet, chariot-ut . . .â
Josey chases Ada Mae, sucks in big breaths as she go, sending the air back out in song. They slip-slide on slick purple leafs and around a berry bush, scraping thin lines on their legs and arms from thorns. Ada Mae escapes in a twirl around a tree trunk. Her dress gathers between her legs from speed.
âStop it, Josey! Promise me you gonâ quit it or I tell you the truth, Iâll leave you here and let the Witch of the Woods get you.â
âThese are my woods,â Josey say. âCainât nobody find me here if I donât want âem to. And if you leave me here, youâll be here by yourself. Honest, Ada Mae . . . who would carry you but me?â
Joseyâs laughter becomes hard coughs. âAll these negro children out here alone, about to get ate up,â she say, coughing through it. âBut you safe, Ada Mae. The witch would need a big ole mouth to eat you.â
âWell, she ainât gonâ eat you, neither. You ainât a negro.â
âIâm black just like you!â she say. âJust not so colored, is all.â
âFine!â Ada Mae say.
âIâm negro, too!â
Joseyâs cough becomes barking. She squats where she is, hard-breathing like she just finished a long race. She closes her eyes and slowly lets air in and out of her throat. Swallows a few times. A whistle joins her exhale. I know these signs.
âYou aâright?â Ada Mae say. âNeed some water?â
Josey grabs her chest, clawing at it to squeeze a bit of air. Ada Mae pats Josey hard on the back, and each swat brings a short whistle. âYou need some water?â
Joseyâs eyes redden with strain. She fixes âem on Ada Mae and they roll back behind her closing lids. âIâll get Charles!â Ada Mae say, scared now.
But Josey grabs her arm, stops her, mumbles raspy words in a whisper. âStay. Please.â
Ada Mae sits and holds Joseyâs hand, wipes the sweat from her cheeks, hoping that Joseyâs panting will fade.
But her whistles rise. âOne day,â Josey say, âIâm gonâ marry me a black man . . . dark as blue. . . . Then there ainât gonâ be no mistakin who I am.â
A whistle.
A whistle.
A whistle.
8 / FLASH
Conyers, Georgia, 1846
L AST NIGHT I took off running in the dark, escaping Cynthia.
H ER CUSTOMERS LURK in dark corners here like shadows, except the whites of their eyes show and move when I move. Their voices call to me in whispers, hissing, one at a time and all together, âHey! Pss . . . Gal. Come âere.â I made the mistake of turning toward the sound last night and saw a man with his trousers down, his hand at his crotch, rubbing and tugging there. Thatâs when I stole some shoes and ran. A month hereâs been long enough.
I had my Bible and Hazelâs poker with me. Found the poker behind Cynthiaâs dresser before I left to follow the North Star to Boston where negroes belong to themselves.
I started running from âround back of this brothel where Cynthia never go, then on the road past Albertâs blacksmith shop. It was glowing orange from the furnace inside. The color traced every gap of the building. Grit from the road rolled under my soles and wet grass lapped my ankles. I was only five steps into the field when a sharp pain shot to my head and forced me to stop.
Blood shot out my nose in rhythm with my heartbeats. I pinched it and spat out what trickled in my throat, then staggered my final steps. I looked to the sky trying to find my North Star but there were so many. Their pinpricks of light grew to suns, blinding and burning. The world spun around me: Albertâs shop . . . black space . . . Albertâs shop . . . black space. I fell to my knees, needing to throw up. It was the last thing I remember.
I woke up late last night and found
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