died.â
âI lost my dad when I was fifteen,â Norman says. Afraid that either he or Calvin will start crying, he quickly gets back to the subject. âGallinipper Foods is a big family. In order to compete and grow, everythingâs got to be copacetic. Copacetic in the corporate offices. Copacetic at the hatcheries and brooding farms. Copacetic at the layer operations. Copacetic top to bottom. Up and down the line.â Now he reaches down and shakes Calvinâs knee, demonstrating the depth of his friendship and concern. âRheaâs a sweet girl. But itâs obvious everythingâs not copacetic with her. Ben Hemphill told me she was a brat the entire tour. So it isnât just kicking the chicken tubs, Cal. Maybe Rhea needs help.â
âIf I thought she needed professional help, Iâd take her,â Calvin says.
âMaybe Iâm way out of line, Cal, but I donât think she likes chickens.â
The spot between Rheaâs nippie-nips is not only itching, itâs burning, as if her heart was lighting matches.
âJust the opposite,â Calvin tells Norman Marek. âShe loves chickens. Thinks theyâre all pets. Last summer she rescued one of the spent hens from the manure pits. She calls her Miss Lucky Pants.â
Normanâs hands are wringing the sweat out of the steering wheel. âGirl thing, I suppose.â
Rhea reaches under the bib of her overalls and works her fingers down the front of her blue turtleneck. She scratches the spot between her nippie-nips thatâs itching and burning. She feels something. At first sheâs afraid itâs a spider. But itâs too fuzzy to be a spider. And itâs not crawling away. Or biting her fingers. She claws at it. It seems to be stuck right there in her skin. She pinches it. Yanks it. Cries out.
Her father twists. âWhatâd you do?â
Rhea pulls her hand from her turtleneck and examines the soft and fuzzy thing pinched between her fingers. Itâs nothing but a tiny white feather. âI had a feather growing between my nippie-nips,â she says.
âBehave,â her father says.
Eight
The same afternoon they return from Bob Gallinipperâs corporate get-together in Gombeen, Calvin Cassowary sits his daughter down on the picnic table in the backyard. âI know the layer houses frighten you,â he begins. âTheyâre frightening placesâif you let your imagination get in the way.â
Rhea has her elbows on her knees and her hands under her chin. She is watching Captain Bates trot after Miss Lucky Pants in the overgrown vegetable garden next to the garage. In the past the little flock wouldnât be allowed to roam free this late in the spring. Once the garden was planted, theyâd be confined to their coop and yard to protect the tomatoes, squash, and green beans from their dawn-to-dusk pecking. But with half of her mother in Heaven, and the other half in the Tuttwyler cemetery, her father says thereâs no time for a garden. So Captain Bates and his hens have all summer to be the free birds of the jungle the Creator intended. âI donât like the cages,â she tells her father.
Calvin drags his forearm across his sweaty face. This difficult talk with his daughter reminds him of the difficult talks he used to have with his own father, about things like sex and a young manâs responsibility to his family, his country and his God. âI know.â
âThe chickens donât like them either.â
âWe canât have 300,000 thousand hens running around loose.â
âWhy do we have to have 300,000 hens at all?â
âBecause weâre chicken farmers, Rhea. Itâs what we do.â
âMaybe we should do something else.â
Calvin scratches the top of her head. Her hair is the same deep red-brown as Jeanieâs now. âWhen you have a farm, you have to farm.â For some reason his mind
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