all of Carson City was in on it. Like in that movie The Game âa total setup. Weâd laugh, feel relieved, and eat cake or something while listening to some police guy talk about gun safety.
But Jason didnât move. I grasped his suit, my tears staining his starchy white shirt. âWake up. Please, Jason. Get up. I canâtâ¦â The words were icicles in my throat.
There was a powdery, lavender smell in the coffin that itched my nose, like an old-grandma smell. Definitely not a Jason smell. Everything was wrong, out of place. He wasnât wearing the watch.
âYou canât be dead,â I whispered.
But he was.
Mom pulled at my scarecrow suit. âKyle, letâs go.â
I stood back, fighting to catch my breath. My heart stopped. I know it did. It stopped pumping blood throughout my body. I gasped for air and yanked on my tie.
How could I say good-bye?
I was ready to walk away with Mom when I turned back and leaned toward Jason one more time. His face looked weird. âDude, are you wearing makeup?â Iâm not the most brilliant guy in Carson City, but I know dead people canât have pink cheeks. Iâd seen Jason. He was gray in the shed. Blue-gray, and he hadnât even died yet.
I wiped my hand across Jasonâs pink cheeks. Powdery blush and brown stuff rubbed off on my fingers. They cut his hair. They blew off the watch. They put makeup on him. I pulled out Dadâs old handkerchief and tried to clean it off.
I wiped and wiped, but it was like the makeup was applied with some kind of freakish permanent spray. I had to get it off, though. Nothing else mattered.
Then I felt a heavy hand on my shoulder that ripped me around. Mr. Bishop towered over me. The Bishop family stood behind him. âWhat do you think youâre doing? To my son?â
I held the limp handkerchief in my hand. Nothing made senseânone of it.
âMy son is dead. You and your family have no right to be here. You have no right.â Mr. Bishop shook. âYou have no right,â he whispered, clenching his jaw.
People got quiet. They moved around in their seats. Papers rustled.
âKyle.â Mom pulled on my arm. âHoney, we need to go sit down.â Dad had turned around and started walking back toward us.
âKyle,â Dad said, coming up to me, âletâs go sit.â
I couldnât move. It was like in the shed. Freeze frame. Pause.
âGet out of here.â Mr. Bishop came closer. My handswere still stuck on the coffin.
âEnough!â Dad stepped between us. He pried my fingers from the glossy wood. âLet go of it, Kyle. Just let go.
âWeâre going to sit down,â he said to Mr. Bishop, his voice cracking. âWe loved Jason.â
I looked away. I hated to see Dad cry.
Play.
Everything started to spin around me like weird special-effects lighting. Blackness crept through my brain, turning the church blotchy gray with pinpricks of white light. My knees buckled, and I grasped onto the front rail. My body shivered and icy sweat dripped down my back.
Pulling myself up, I stumbled down the aisle, past my parents and the Bishops. I tried to breathe without inhaling the sickening church smells. I yanked at my tie and ripped off the suit jacket. The exit looked so far away. Everybodyâs faces were blurred and distorted. Dizzying light streamed through the stained-glass windows. Squinting, I kept my eyes on the heavy wooden doors, ignoring the whispers. I rushed outside, tripped down the concrete steps, and collapsed on the lawn behind the dried-up rosebushes. My body heaved and hiccuped until all that came out of me was acidic yellow bile.
I lay on the dead grass and gasped for breath. My head throbbed. The deeper I inhaled, the less air I got.
Iâm gonna die. Please let me die.
âTake it easy. Slow your breathing.â Momâs cheeks were wet with tears. She held a paper bag to my mouth and nose.
The
Rex Stout
Su Halfwerk
Lloyd Tackitt
Evelyn Lyes
Bev Vincent
Elizabeth A. Veatch, Crystal G. Smith
Jennifer Michiels
Viv Daniels
Perri Forrest
Peter Turnbull