carry that bloody, slimy memory to the grave. They really should wipe a baby off before they show it to anyone. I totally respect Kaitâs desire to be alone in the delivery room.
I squeeze myself into the empty chair between Cody and Jackson. Leaning my head on Codyâs shoulder, I breathe deeply and slowly. He shifts and readjusts us until he gets an arm around my shoulders.
âBetter?â
âI hate this.â
âWeâre here with you,â Cody says. âWeâre not going anywhere. â
I keep breathing, try to think about Kaitâs essay. Will her adviser believe she wrote it before the labor hit?
Jackson stretches his legs out in front of him and toes off his Nikes. âMight as well get comfortable. We could be here for hours.â
It feels late. Jackson drove us here at approximately the speed of light, but I havenât seen the time since they whisked Kait to a back room just after eight thirty. No one else is in the room with us. Itâs like weâre in a bubble, out of time and place. Only Codyâs arm around me feels real, the sound of Jacksonâs raspy breath beside me. I feel Codyâs fingers comb through my hair, which usually relaxes me but isnât working tonight.
Sitting, waiting, is driving me nuts. Cody, too. In the first five minutes, he straightened all the chairs, rearranged the fake plants according to height, and adjusted the blinds on the one window so they were level. Now heâs stuck with nothing to do but pick imaginaryâI hope!âflecks of dandruff out of my hair. I want to do something, anything. The first line of Kaitâs essay rolls through my head again. I sit up.
âDo you have a pen?â I ask. âOr any paper?â
âNope.â Codyâs chin bumps my forehead when he talks.
Jackson fishes a pen out of his front pocket. âNo paper, though. Sorry.â
âThis is great.â Itâs a felt-tip, much better for writing on skin than a ballpoint. I click it open and start. Itâs good that Iâm wearing a tank top. The first line goes on my upper arm.
We are all born in pain.
âNot too bad.â Jackson is done reading. My left arm and both legs are covered in sentences.
âItâs a little rough,â I say.
Jackson rubs the two-day-old shave on my legs. âNo kidding.â
I slap his hand away. âHands off the masterpiece.â
âThat reminds me,â he says. âYou still writing poetry? Like the ones you showed me? They were really good.â
Breath hitching, I stare at my ink-covered knee. Heâs not supposed to remember that , the me that was such a sap I actually wrote poems about us. And everything else, too. Friends and enemies, the environment, politics, my favorite shows. The truth is, I still do write poems. Usually late at night, in the journal I keep under my bed next to Mr. Manly. But I donât say yes to Jacksonâs question.
âYou ever gonna return that book?â I ask. Not only had I shown him my poems, Iâd lent him my favorite book, The Essential Rumi , a translation of writings from the thirteenth-century poet Jalal al-Din Rumi that I never cease to find completely amazing.
âMaybe Iâm rereading it.â He flicks hair out of his eyes. His eyes shift away.
Like Iâm supposed to believe that. âIf you lost it, just say so.â
âI love Rumi,â he protests.
Iâm not impressed he remembers the name. It was in big black letters on the cover. I am about to tell him I want a new hardcover, that he wonât get away with some used bookstore paperback replacement, when the door from the hallway opens.
I pop out of my seat, hoping for news. But itâs Mom, thin body wrapped in a tight black dress that shows off her long legs. Her hair is curled and flows down her back in layered waves.
âKaitâs still in labor,â she announces as if we donât know why weâre
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