Facing the Music And Living To Talk About It

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Authors: Nick Carter
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met my mom on the road—he picked her up while she was hitchhiking. He charmed her by giving her a ride, but he also warned her never to do it again.)
    I inherited Dad’s blue-collar work ethic and drive, and I have to say that those gifts have served me well. Still, as hard as my dad and mom worked, they struggled to pay the bills. Money was always an issue. When I first started to develop my performing skills, Dad would blow up over the cost of my singing and dance coaches, and of traveling to auditions, rehearsals and performances. He questioned whether there would ever be a payoff for the investment he and my mom were making. I could hardly blame him. He had other kids and a lot of expenses.
    One of the incentives for me to work harder and harder was my desire to make up for those expenses. I really wanted to show my appreciation for the sacrifices and the time my parents put into my training. I also wanted to earn enough money so my parents would never have to fight over finances again. When my singing career took off, I did pay back my parents and I made up for the some of the things my siblings didn’t get, too. I even tried to help them out before I was making big money. The first singing competition I won was a talent show on the pier in St. Petersburg. I was ten years old and there was a crowd of only 20 people, but I won the grand prize of $100. I remember taking the check home to Dad; he was sitting on the couch watching television.
    “Hey Dad, look what I did. This is for you. I want you to have it because you work so hard,” I said, handing him the check.
    He mumbled something, then thanked me. He may have been embarrassed that I was giving him my winnings, which I understand. I didn’t mean to make him uncomfortable. My only goal was to provide him and my mother with some peace of mind. My thought at the time was that if I kept giving him money, he and mom would be happier, but it never seemed to work out that way, even when the checks I brought home were for hundreds of thousands and even millions of dollars.
    The lesson I ultimately learned from these experiences was that my goal should never be to make more and more money. I realized that once you covered your bills and a few other basic comforts, more money does not bring you more happiness—in fact it often brings more problems, jealousies and greed.
    Instead, the thing that makes me truly happy is making the most of my talent for singing and performing. That became, and still is, my career goal.
    Ours wasn’t exactly the Osmond family or even the Partridge Family, but our family tree did include other musicians. Mom and Dad both played the guitar some and we all sang when we went on vacations or when we were just hanging around the house. I’ve never had a problem keeping a beat, which may be due to living above The Yankee Rebel when I was a baby and hearing the thumping of disco music through the floorboards all night.
    Anyway, it was around the time that teen pop singers and the first boy bands began making waves that I guess Mom decided if Tiffany and Debbie Gibson, New Edition, and the New Kids on the Block could make it, so could I. The next thing I knew, she had me booked for singing lessons, dancing lessons, and every other kind of lesson in the star-making machine. We burned up Interstate 4 between Tampa and Orlando as we hit all the talent competitions and auditions for theme park shows, musicals, dinner-theater, and commercials.
    My theatrical career was actually launched shortly after the day Mom witnessed my backyard performance. I was in the fourth grade at Miles Elementary School when the kid who’d been chosen for a leading role as Raoul in the production of Phantom of the Opera got cold feet. The teacher in charge of the play, Miss Montes de Oca, had to find a replacement quickly. She’d heard that I was taking singing lessons and auditioning around the area, so she recruited me to step into the part.
    …THE THING THAT MAKES ME

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