you ask for.â
âYes, I will bring Jesse. Yes. Thank you.â I half-choke on the words. âIf heâll come. Because weâre going through a bad patch. I hope itâs only a patch. Itâs certainly bad. All my fault. Jesse is such a lovely man, Elise, I know youâll take to him.â
âDo you remember,â she asks, âwhen you were in the school play, at Radshead? You were, if memory serves, a member of the Chorus of Virgins in Elektra . Now, which was it, Aeschylus or Sophocles? There are two plays of that name. Whichever it was, the adolescent lad they cast as Elektra did a lot of caterwauling. Youâve heard of howler monkeys? His was a very screeching performance.â
âSophocles, I think,â I said, my heart sinking. We are off on a tour of the Ancient Greeks: Iâll be powerless to arrest or divert the flow.
âOf course,â Elise adds, rearranging the cushions behind her back on the couch, and giving the impression of settling in for a nice long literary chat, âEuripides parodied Aeschylusâs Elektra , didnât he? Something to do with a fawn. But actually I think this must have been Sophocles after all.â
Go with it, I tell myself, gritting my teeth. In this way we might eventually drift back on to the true path. Or not.
âSo anyway,â Elise goes on. âIâd driven like a demon and been flagged down by the police somewhere in Kent. Now where was it? Broadstairs? I made it just in time to see you in your nice little skirt sashay on to the stage with the other virgins to advise Elektra not to waste her life in mourning. Would it bring her father back? No. And did Elektra take the slightest notice? Of course not. We donât, do we?â
âNo, Elise, mostly we donât.â
âWeâre always walking forward looking backwards, arenât we, Seb? But what I was going to say was: there seemed to be a bunch of mad boys in charge of the lighting. Things would get so dark that you could hardly make out which actor was doing what. And then these delirious light-boys would shoot the dimmers up. The audience was in stitches. It was the most hilarious tragedy Iâve ever attended. I expect you wonder where all this is going, donât you?â she asks with a look of amusement. âWell, when I was going through my papers, the mad boys threw up the dimmers.â
âThey did?â
âYes. In my memory. Keep up now, Sebastian.â
âRight. Sorry.â
â Jackâs old chum. You were asking about him.â
âBut not if it upsets you to talk about it, Elise. Really.â
âNo â canât say it upsets me. A long, long time ago. Poor chap, such an empty vessel. Isnât it funny the way these schoolboys donât grow up? They just couldnât let go of each other. Oh, they tried â but when one ran away, the other was haring off after him. Talk about there being three of us in that marriage. And then again they were often at each otherâs throats. Quite literally.â
âBut â Elise â how painful for you.â
âI minded, Sebastian. And I didnât. I had my freedom and space. Iâve always been self-sufficient â as you know â to your cost, doubtless.â And itâs her turn to look shifty and pleading.
âNo, Elise. No. Youâve been ââ. I bite my tongue to stop myself trotting out the cliché about good mothers. You couldnât be called a good mother, or even a good enough mother, I think. But you were mine, Elise; and you were there. And you are still here, still mine. And I wonder if she feels the forgiveness flowing in waves from me to her, and the gratitude. Iâve never called her Mum, let alone Mummy. She has always been her indivisible self. And somehow there are irrational tears in my eyes and I donât know what to do with the arms that long to cwtch her.
âAnyway. Thing
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