it, I'll take it." I'm grateful when she doesn't respond. I know she's aching to tell me that I don't need Dane's permission to do anything, but when it comes to Cleo, I don't want to get in the way of him trying to mend the friendship the two of them once had.
Chapter 18 "V isitors are only allowed for another hour." Vanessa glances at her watch. "My break is then, so go see her and then I'll buy you some dinner." "Cafeteria dinner?" I joke. "I might pass on that." She elbows me in the ribs. "It's not that bad. I eat it all the time." "I can't tonight," I say honestly. "I'm starting back at the pub. I need to be there by nine." "We can do dinner another night then." I look down at my smartphone again. I had texted Dane to ask if he could call me. That was more than two hours ago. I know that he told me when his schedule changes this week, but I hadn't paid attention mainly because I was drifting into a dream at the time. I could have waited until tomorrow to come to see Cleo to bring her the portrait, but after considering what Zoe said, I don't want to miss my window of opportunity. My plan is simple. I hand her the portrait, tell her that I saw her in the hallway and I leave with no mention of Dane. "You remember her room number?" "It's 2049." It became etched forever in my memory after I'd glanced at the card so many times. Cleo is my first link to Dane's life beyond his cousin, Garrett. She's his friend, or was at one time. She's also the sister of the woman he once loved. I want her to have the portrait. It belongs to her. "If it's too hard, come find me." She wraps her arms around my shoulders so tightly that the stethoscope hanging around her neck pushes into my chest. "Send me a text and I'll come up to the second floor." I hug her back. This might be the biggest mistake of my life or it may be a kind gesture that Dane and I will think back on when we're reminiscing about our past. It doesn't matter at this point. I'm here now and I'm not leaving until the framed portrait in my hand is nestled securely in Cleo's grasp. *** "E xcuse me." The voice is softly feminine. It's also behind me just as I'm about to walk into Cleo's room. I'd peered through the rectangular window in the door but the only thing I could see was a light blue curtain drawn around a hospital bed. There's a wheelchair near the foot of the bed so I can only assume that I'm not too late. I ignore the voice when I realize that she's likely talking to one of the many other people who are walking through this corridor. I've passed at least two doctors and half a dozen nurses since I exited the elevator on this floor. It's the maternity wing of the hospital which means most of the people who work here are less frantic and rushed than those who work in the ER with Vanessa. I place my fingers around the handle as I hold tightly to the portrait that I'm cradling against my chest. "Wait." Her voice is louder now. "You're Bridget." She's talking to me. I push through my memories for any familiarities in the voice but there's nothing. She must have seen my picture in the newspaper or online after the accident. I've learned, since that night, that some people are morbidly curious about those who are struck by bad luck. Since I'm intent on getting into Cleo's room without this woman in tow, I need to ditch her now. I turn quickly and the moment I do I'm struck by how attractive she is. She's tall, dark haired and even though her face is bare from make-up and her eyes rimmed with glasses, her natural beauty is still there. "I'm Bridget." I reach out my free hand towards her. "I know." She scoops my palm into her right hand, before covering it with the left. "I'm Maisy Trimble."
Chapter 19 "T his is Cleo." The frame balances on her knees as she runs her hand over the glass. "You drew this?" I nod. Since we'd exchanged pleasantries outside of Cleo's hospital room, Maisy had asked me to join her in the family lounge. It's a quiet space,