he wished not to wake Albertina, he took off his shoes and clothes before going into the bedroom, and very cautiously turned on the light on the little table beside his bed. Albertina was lying there quietly, with her arms folded under her head. Her lips were half-open, and painful shadows surrounded them. It was a face that Fridolin did not know. He bent down over her, and at once her forehead became lined with furrows, as though someone had touched it, and her features seemed strangely distorted. Suddenly, still in her sleep, she laughed so shrilly that he became frightened. Involuntarily he called her name. She laughed again, as if in answer, in a strange, almost uncanny manner. Fridolin called her in a louder voice, and she opened her eyes, slowly and with difficulty. She stared at him, as though she did not recognize him.
"Albertina!" he cried for the third time. As she gained consciousness, an expression of fear, even of terror came into her eyes. Half awake, and seemingly in despair, she raised her arms.
"What's the matter?" asked Fridolin with bated breath. As she still stared at him, terrified, he added, to reassure her: "It is I, Albertina." She breathed deeply, tried to smile, dropped her arms on the bed cover and said, in a far away voice: "Is it morning yet?"
"It will be very soon," replied Fridolin, "it's past four o'clock. I've just come home." She was silent and he continued: "The Councilor is dead. He was dying when I arrived, and naturally I couldn't—leave immediately."
She nodded, but hardly seemed to have heard or understood him. She stared into space, as though she could see through him. He felt that she must know of his recent experiences—and at the same time the idea seemed ridiculous. He bent down and touched her forehead. She shuddered slightly.
"What's the matter?" he asked again.
She shook her head slowly and he passed his hand gently over her hair. "Albertina, what's the matter?"
"I've been dreaming," she said distantly.
"What have you been dreaming?" he asked mildly.
"Oh, so much, I can't quite remember."
"Perhaps if you try?"
"It was all so confused—and I'm tired. You must be tired, too."
"Not in the least. I don't think I shall go to bed at all. You know, when I come home so late—it would really be best to sit right down to my desk—it's just in such morning hours—" He interrupted himself. "Wouldn't it be better if you told me your dream?" He smiled a little unnaturally.
She replied: "You really ought to lie down and take a little rest."
He hesitated a moment, then he did as she suggested and stretched himself beside her, though he was careful not to touch her. There shall be a sword between us, he thought, remembering a remark he had once made, half joking, on a similar occasion. They lay there silently with open eyes, and they felt both their proximity and the distance that separated them. After a while he raised his head on his arm and looked at her for a long time, as though he could see much more than just the outlines of her face.
"Your dream!" he hinted, once more. She must just have been waiting for him to speak. She held out her hand to him, he took it and, more absent-mindedly than tenderly, clasped his hand about her slender fingers, as he had often done before. She began: "Do you still remember the room in the little villa on Lake Worther, where I lived with Mother and Father the summer we became engaged?"
He nodded.
"Well, it was there the dream began. I was entering this house, like an actress stepping onto the stage—I don't know where I came from. My parents seemed to have gone on a journey and left me alone. That surprised me, for our wedding was the next day. But my wedding-dress hadn't yet arrived. I thought I might be mistaken, and I opened the wardrobe to look. Instead of the wedding dress a great many other clothes, like fancy dress costumes, were hanging there, opera-like, gorgeous, Oriental. Which shall I wear for the wedding? I thought. Then
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