same, nevertheless. He stopped before the wall of rock, vanished and came out of the woods again, appearing and disappearing two, or three, or a hundred times. It was always the same man and yet always different. He spoke to me every time he passed, and finally stopped in front of me and looked at me searchingly. I laughed seductively as I have never laughed in my life, and he held out his arms to me. I wished to escape but it was useless—and he sank down beside me on the meadow."
She was silent. Fridolin's throat was parched. In the darkness of the room he could see she had concealed her face in her hands.
"A strange dream," he said, "but surely that isn't the end?" When she said "no," he asked: "Then why don't you continue?"
"It's not easy," she began again. "Such things are difficult to express in words. Well, to go on—I seemed to live through countless days and nights; there was neither time nor space. I was no longer in the clearing, enclosed by the woods and rock. I was on a flower-covered plain, that stretched into infinite distance and, finally, into the horizon in all directions. And for a long time I had not been alone with this one man on the meadow. Whether there were three, .or ten, or a thousand other couples I don't know. Whether I noticed them or not, whether I was united only with that particular man or also with others, I can't say. Just as that earlier feeling of terror and shame went beyond anything I have ever felt in the waking state, so nothing in our conscious existence can be compared with the feeling of release, of freedom, of happiness, which I now experienced. Yet I didn't for one moment forget you. In fact, I saw that you had been seized—by soldiers, I think—and there were also priests among them. Somebody, a gigantic person, tied your hands, and I knew that you were to be executed. I knew it, without feeling any sympathy for you, and without shuddering. I felt it, but as though I were far removed from you. They led you into a yard, a sort of castle-yard, and you stood there, naked, with your hands tied behind your back. Just as I saw you, though I was far away, you could also see me and the man who was holding me in his arms. All the other couples, too, were visible in this infinite sea of nakedness which foamed about me, and of which my companion and I were only a wave, so to speak. Then, while you were standing in the castle-yard, a young woman, with a diadem on her head and wearing a purple cloak, appeared at a high arched window between red curtains. It was the queen of the country, and she looked down at you with a stern, questioning look. You were standing alone. All the others stood aside, pressed against the wall, and I heard them whispering and muttering in a malicious and threatening manner. Then the queen bent down over the railing. Silence reigned, and she signaled to you, commanding you to come up to her, and I knew that she had decided to pardon you. But you either didn't notice her, or else you didn't want to. Suddenly you were standing opposite her, with your hands still tied. You were wrapped in a black cloak, and you were not in a room, but in the open, somehow, floating, as it were. She held a piece of parchment in her hand, your death-sentence, which stated your crime and the reasons for your conviction. She asked you—I couldn't hear the words, but I knew it was so—whether you were willing to be her lover, for in that case the death-penalty would be remitted. You shook your head, refusing. I wasn't surprised, for it seemed natural and inevitable that you should be faithful to me, under all circumstances. The queen shrugged her shoulders, waved her hand, and suddenly you were in a subterranean cellar, and whips were whizzing down upon you, although I couldn't see the people who were swinging them. Blood flowed down you in streams. I saw it without feeling cruel, or even surprised. The queen now moved towards you, her loose hair flowing about her naked body, and
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