farther north. And what about this?â
There was a twig attached to the fruit, and the twig had a leaf. Brad plucked and smelled it.
âFresh.â
âSo how do you account for it?â
âI wish I knew,â Brad said. âItâs all crazy. Those flowers blooming outside. . . . None of it makes sense.â
Simon had followed him to the table. In the bowls he saw cherries and pomegranates, yellow berries he did not recognize, purple plums. With a feeling of recklessness, he took a plum and bit into it: juice ran down his chin.
âTastes great,â he said.
Brad was staring at the apple. âIt just canât be real. Thereâs no way you can have cherries and apples ripe at the same time.â
Simon finished eating the plum and tucked the stone away behind the bowl. He felt more hungry rather than less. He took a small bowl and filled it with the food on display. Brad, after some hesitation, followed suit. There were chopsticks and a flask containing wine. They ate and drank, and Simon refilled his empty bowl.
Brad had put his down and was staring round the room with a puzzled, almost angry look.
âItâs not some kind of illusion,â he said. âYou canât eat illusions. So what is it?â
âDoes it matter? We didnât eat better even in Cho-tsingâs palace.â
Suddenly, though, Simon felt a chill of apprehension. It was like being in a fairy storyâthe vast mansion at the mountain top, no one in evidence, tables laid for a feast. . . . That was the kind of scene, he remembered, which usually ended badly, when the giant returned, or the troll, or the wicked witch.
âThere has to be an explanation,â Brad said.
He told himself it was a long time since he hadbelieved in fairy stories; at the same time, he wished Brad would stop fussing about it. He said brusquely: âIt can wait till morning. Iâm dead beat.â
He unrolled one of the mats and lay on it. Something else was odd, he realized; although there was no sign of heating, it did not feel cold. He decided against mentioning that to Brad, in case it brought on another fit of speculation. Anyway, he was very tired. Weariness soon dragged him down into sleep.
â¢Â  â¢Â  â¢
In this dream, Simon was once more back in the time before the fireball, resting on a river bank on a drowsy summerâs day. The voice crept into the dream. It was low, lulling, scarcely distinguishable from the sound of the breeze in the willows. Gradually it grew closer and louder. He could tell it was a manâs voice, though he could not make out what it was saying. He became aware of something else, tooâhands on his wrists, gentle but firm, holding him.
He was in some twilight state between sleep and waking. He heard tinkling music, a pattern of notes rising, then falling. The voice began to take on meaning.
âThere is nothing to fear. Be at peace. Bid second mind be still. Be at peace. There is nothing to fear. Be at peace, be at peace. . . .â
He had a sense of time having stopped; or perhaps of it being caught up in a loop, with notes and words repeating, forever and ever. He felt he was slipping into something unknown and unknowable, like a rudderless boat drifting downstream. Towards whatâan open lock, a weir? Uncertainty became doubt, suspicion, fear. His mind shut tight against the voice.
âBe at peace. There is nothing to fear.â
He resisted still, on the edge of panic but refusing to surrender. He had an image of a small animal caught in a trap, wire tightening round it as it struggled. He would not give in. Then somehow the image changed: the small animal was being lifted from its confinement by strong but gentle hands.
âThere is nothing to fear. . . .â
And, unaccountably but wonderfully, it was true. Fear went, like a cloud from in front of the sun. The voice was stronger and gave him
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