umââ
âYouâre a journalist. Say it.â
I look her in the eyes so she knows Iâm serious. âThis is your first big interview, and despite what happened last year between the two of usâ
âWhich Iâm still curious about. What exactly did happen, Scott?â
âTrust me, the details would bore you. But I want this interview to go well for you and Inside NashVegas . Letâs have fun. Are we cool?â
Aubrey thinks for a second. âOnly if youâre willing to tell me what happened.â
âAre you two ready?â Olivia bounds around the corner, using her cheery voice and tapping her watch. âWeâre burning up time here.â
I slide back in my chair. âOliviaâs right. We should get going on the interview.â
âDonât think youâre going to get off this easy.â
I grin. âBelieve me, I donât.â
8
âAubrey James is an amazing singer, entertainer, and songwriter. I wish sheâd record her own stuff. Be bold, Aubrey. Donât let the Big Dogs run you down.â
âCountry recording artist Emma Rice
Scott: The final night of the CMA Fest, you fainted. What happened?
AJ: Exhaustion. Took the big diva dive. The FRESH! tour drained me. In between shows, I filmed a commercial for FRESH!, had photo shoots. Plus, we did a hundred cities in six months.
Scott: Based on Melanie Danielsâ Star interview, you guys had a lot of drama going on. What happened between you and Melanie?
AJ: Wow, starting off with the loaded questions. [shifting in her seat] Melanie came to work for me as my musical director four years ago. She took care of my band on and off the road and worked with me on my last three albums. She helped pull together the all-girl band.
Melanie is a great musician and brought a lot of new ideas to my team. I felt lucky to have her, and we became good friends. At least I thought we were friends. I certainly shared enough of my life and heart with her.
About a year and a half ago, a new man came into her life, and suddenly she started demanding more. More money, more influence. She wanted to be included in all my major musical decisions, right down to designing the tour show.
Scott: What about her claim you hindered her career?
AJ: Not true. I didnât even know she was talking a record deal with SongTunes.
Scott: You fired her in the middle of the tour. Why?
AJ: Weâd been at odds before the tour started. While I valued her immensely, and honestly felt she deserved some of what she was asking for, her attitude was one of âYou owe me.â No matter what we offered, she felt it wasnât good enough. We argued a lot last year. It got very tense and heated between us. In fact, right before we started rehearsal for the tour, I wasnât sure if she would be on board as my musical director. She didnât return our calls, and we heard rumors she was bad-mouthing me on Music Row. Then one day she showed up, guitars in hand, as if nothing had ever happened. She was warm, fun, pleasant, eager to get to work.
Scott: Didnât you think that was odd?
AJ: For a musician, no. [grinning] Scott: I see. What were her reasons for disappearing?
AJ: She said she needed to get her head together. She had taken time to hike the Appalachian Trail with her brother and then visited family in Florida.
Scott: She seemed like the old Melanie to you ?
AJ: Yes. Sometimes she seemed subdued and distracted. Her temper was short, but it never crossed my mind she was making mental notes for a future blog or planning to diss me in the international press.
Scott: She blogged, âAubrey James is only about herself. Our drummer was having personal issues, but Aubrey would not even listen to her story. She sucks the life right out of a person. No matter how long the road, how hard we worked, she demanded that much more and never gave in return.â
AJ: I guess I did drive the band hard. First
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