Death and the Dancing Footman
would it be like?”
    “I really don’t know,” said Mandrake hurriedly.
    “Don’t you? If I painted his picture I should make him egg-shaped with quite a merry smile, and a scorpion round his head. And then, you know, for eyes he would have the sort of windows you can’t see through. Clouded glass.”
    In Mandrake’s circles this sort of thing was more or less a commonplace. “You are a surrealist, then?” he murmured.
    “Have you ever noticed,” William continued, placidly, “that Jonathan’s eyes are quite blank? Impenetrable,” he added, and a phrase from
Alice through the Looking-Glass
jigged into Mandrake’s thoughts.
    “It’s his thick glasses,” he said.
    “Oh,” said William, “is that it? Has he told you about us? Nicholas and Chloris and me? And of course, Madame Lisse?” To Mandrake’s intense relief William did not pause for an answer. “I expect he has,” he said. “He likes talking about people and of course he would want somebody for an audience. I’m quite glad to meet Madame Lisse, and I must say it doesn’t surprise me about her and Nicholas. I should like to make a picture of her. Wait a moment. I’m just going to get another drink. My third,” added William, with the air of chalking up a score.
    Mandrake had had one drink and was of the opinion that Jonathan’s champagne cocktails were generously laced with brandy. He wondered if in this circumstance lay the explanation of William’s astonishing candour. The rest of the party had already responded to the drinks, and the general conversation was now fluent and noisy. William returned, carrying his glass with extreme care.
    “Of course,” he said, “you will understand that Chloris and I haven’t seen Nicholas since we got engaged. I went to the front the day after it was announced, and Nicholas has been conducting the war in Great Chipping ever since. But if Jonathan thinks his party is going to make any difference…” William broke off and drank a third of his cocktail. “What was I saying?” he asked.
    “Any difference,” Mandrake prompted.
    “Oh, yes. If Jonathan,
or
Nicholas for that matter, imagine I’m going to lose my temper, they are wrong.”
    “But surely if Jonathan has any ulterior motive,” Mandrake ventured, “it is entirely pacific. A reconciliation…”
    “Oh, no,” said William, “
that
wouldn’t be at all amusing.” He looked sideways at Mandrake. “Besides,” he said, “Jonathan doesn’t like me much, you know.”
    This chimed so precisely with Mandrake’s earlier impression that he gave William a startled glance. “Doesn’t he?” he asked helplessly.
    “No. He wanted me to marry a niece of his. She was a poor relation and he was very fond of her. We were sort of engaged but I didn’t really like her so very much, I found, so I sort of sloped off. He doesn’t forget things, you know.” William smiled vaguely. “She died,” he said. “She went rather queer in the head, I think. It was very sad, really.”
    Mandrake found nothing to say, and William returned to his theme. “But I shan’t do anything to Nicholas,” he said. “Let him cool his ardour in the swimming-pool. After all, I’ve won, you know. Haven’t I?”
    “He
is
tight,” thought Mandrake, and he said with imbecile cheerfulness: “I hope so.” William finished his drink. “So do I,” he said doubtfully. He looked across to the fireplace where Nicholas, standing by Madame Lisse’s chair, stared at Chloris Wynne.
    “But he always
will
try,” said William, “to eat his cake and keep it.”
    Madame Lisse fastened three of Jonathan’s orchids in the bosom of her wine-coloured dress, and contemplated herself in the looking glass. She saw a Renaissance picture smoothly painted on a fine panel — black, magnolia, and mulberry surfaces, all were sleek and richly glowing. Behind this magnificence, in shadow, was reflected the door of her room, and while she still stared at her image this door opened

Similar Books

Re-Creations

Grace Livingston Hill

The Box Garden

Carol Shields

Razor Sharp

Fern Michaels

The Line

Teri Hall

Double Exposure

Michael Lister

Love you to Death

Shannon K. Butcher

Highwayman: Ironside

Michael Arnold

Gone (Gone #1)

Stacy Claflin

Always Mr. Wrong

Joanne Rawson

Redeemed

Becca Jameson