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Americans - Italy - Fiction,
Cardinals - Fiction
stride. Thrust for thrust. Beast against beast. A heart-stopping, all-out match race. A thousand to one as to who would explode first.
They crossed the line together. A howling, sweating, photo finish of orgasmic pyrotechnics that left them sprawled side by side and gasping for air, wholly spent, their inner workings worn raw. Quivering in the dark.
Harry had no idea why, but in that moment a far-off part of him stood back and wondered if Adrianna had picked him—not because he might be a lead player in a major story and it was secretly her style to establish an early personal relationship—not either because she simply liked to have sex with strangers—but for another reason altogether… because she was afraid of tomorrow—of going to Zagreb. Because maybe this was one time too many and something would happen and she would die somewhere in the Croatian countryside. Maybe what she wanted was to breathe as much more life as she could before she went. And Harry just happened to be the one she chose to help her do it.
4:36
Death.
In the dark of room 403 at the Hotel Hassler, there were shutters closed and drapes drawn against the approaching dawn, and yet sleep still did not come to Harry. The world spun, faces danced past.
Adrianna.
The detectives Pio and Roscani.
Jacov Farel.
Father Bardoni, the young priest who was to escort him and Danny’s remains to the airport.
Danny.
Death.
Enough! Turning on the light, Harry threw back the covers and got up, going to the small desk by the telephone. Picking up his notes, he reviewed business deals he’d worked in the hours before he’d gone out. A television contract to pick up a series star for a fourth year at an increase of fifty thousand per episode. An agreement for a top screenwriter to do a month’s polish on a script that had been rewritten four times already. Writer’s fee, five hundred thousand dollars. A deal in the works for two months for a major A-list director to shoot an action film on location in Malta and Bangkok for a flat fee of six million against ten percent of the first dollar box office gross, finally done. Then undone a half hour later because the male star, for reasons unknown, abruptly pulled out. Two hours and half a dozen phone calls later, the star was back in, but by now the director was considering other offers. A call to the star at lunch at a trendy West L.A. restaurant, another to the studio head in his car somewhere in the San Fernando valley, and still another to the director’s agent ended in a four-way conference call to the director at home in Malibu. Forty minutes later the director was back on the picture and getting ready to leave for Malta the following morning.
By the time it was over, Harry had negotiated deals worth, give or take, seven and a half million dollars. Five percent of which, roughly three hundred and seventy-five thousand dollars, went to his firm, Willis, Rosenfeld and Barry. Not too shabby for somebody working on anxiety, autopilot, and very little sleep in a hotel room halfway around the world. It was why he was who he was and doing what he did… and why he was paid what he was paid, plus bonus, plus profit sharing, plus…. Suddenly it all felt very hollow and unimportant.
Abruptly Harry shut out the light and closed his eyes against the dark. When he did, shadows came. He tried to push them away, tried to think of something else. But they came anyway. Shadows moving slowly along a distant iridescent wall, then turning and coming toward him. Ghosts. One, two, three, and then four.
Madeline.
His father.
His mother.
and then
Danny…
13
Wednesday, July 8, 10:00 A.M .
THEIR FOOTSTEPS WERE SILENT AS THEY CAME down the stairs. Harry Addison, Father Bardoni, and the director of the funeral home, Signore Gasparri. At the bottom Gasparri turned them left and down a long, mustard-colored corridor with pastoral paintings of the Italian countryside decorating the walls.
Deliberately, Harry touched his
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