snapped pictures of all the couples. She wanted to dance but there was no one to dance with. There was only Rubber Chicken lying around somewhere inside the cottage. He always seemed to end up being her only partner.
After a while, Weetzie and My Secret Agent Lover Man sat down near the shed. Witch Baby watched them. Sometimes she thought she looked a little like My Secret Agent Lover Man; but she knew he and Weetzie had found her on their doorstep one day. Witch Baby didn’t look like Weetzie Bat at all.
“What’s wrong, my slinkster-love-man?” Witch Baby heard Weetzie ask as she handed My Secret Agent Lover Man a paper plate sagging with food. “Aren’t you happy that we finished Angels? ”
He lit a cigarette and stared past the party into the darkness. Shadows of roses moved across his angular face.
“The movie wasn’t enough,” he said. “We have moremoney now than we know what to do with. Sometimes this city feels like an expensive tomb. I want to do something that matters.”
“But you speak with your movies,” Weetzie said. “You are an important influence on people. You open eyes.”
“It hasn’t been enough. I need to think of something strong. When I was a kid I had a lamp shaped like a globe. I had newspaper articles all over my walls, too, like Witch Baby has—disasters and things. I always wished I could make the world as peaceful and bright as my lamp.”
“Give yourself time,” said Weetzie, and she took off his slouchy fedora, pushed back his dark hair and kissed his temples.
Witch Baby wished that she could go and sit on Weetzie’s lap and whisper an idea for a movie into My Secret Agent Lover Man’s ear. An idea to make him breathe deeply and sleep peacefully so the dark circles would fade from beneath his eyes. She wanted Weetzie and My Secret Agent Lover Man to stroke her hair and take her picture as if they were her real parents. But she did not go to them.
She turned to see Weetzie’s mother, Brandy-Lynn, waltzing alone.
Weetzie had told Witch Baby that Brandy-Lynn had once been a beautiful starlet, and in the soft shadows of night roses, Witch Baby could see it now. Starlet. Starlit, like Weetzie and Cherokee, Witch Baby thought. Brandy-Lynn collapsed in a lawn chair to drink her martini andfinger the silver heart locket she always wore around her neck. Inside the locket was a photograph of Weetzie’s father, Charlie Bat, who had died years before. The white lights shone on the heart, the martini and the tears that slid down Brandy-Lynn’s cheeks. Witch Baby wanted to pat the tears with her fingertip and taste the salt. Even after all this time, Brandy-Lynn cried often about Charlie Bat, but Witch Baby never cried about anything. Sometimes tears gathered, thick and seething salt in her chest, but she kept them there.
As Witch Baby imagined the way Brandy-Lynn’s tears would feel on her own face, she saw Cherokee Bat dancing over to Brandy-Lynn and holding a piece of plantain pie.
“Eat some pie and come dance with me and Raphael, Grandma Brandy,” Cherokee said. “You can show us how you danced when you were a movie star.”
Brandy-Lynn wiped away her mascara-tinted tears and shakily held out her arms. Then she and Cherokee waltzed away across the lawn.
No one noticed Witch Baby as she went back inside the cottage, into the room she and Cherokee shared.
Cherokee’s side of the room was filled with feathers, crystals, butterfly wings, rocks, shells and dried flowers. There was a small tepee that Coyote had helped Cherokee make. The walls on Witch Baby’s side of the room were covered with newspaper clippings—nuclear accidents, violence, poverty and disease. Every night, before she went tobed, Witch Baby cut out three articles or pictures with a pair of toenail scissors and taped them to the wall. They made Cherokee cry.
“Why do you want to have those up there?” Weetzie asked. “You’ll both have nightmares.”
If Witch Baby didn’t cut out three
K. Sterling
Jacquie Rogers
Rebecca Hamilton, Conner Kressley
Shiloh Walker
Elizabeth Moynihan
Mary Balogh
Tara Fox Hall
Jonathan Maberry
Jane Hunt
James Kakalios