Dance of Death

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Authors: Douglas Preston, Lincoln Child
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black-haired and gaunt, picking at huge fruit salads. On the far side, a fat businessman was digging into a plate of something yellow and slippery.
    A truck passed in a shriek of grinding gears, seemingly inches away from the glass wall, and Sawtelle's hand closed reflexively, breaking the breadstick. He wiped his hand on the tablecloth in disgust. Why the hell had the client insisted on eating out here, in the January chill? He glanced up through the glass ceiling at the pink awning, La Vielle Ville stitched on it in white. Above towered one of the huge cliff dwellings that passed for apartments in New York City. Sawtelle eyed the rows of identical windows rising toward the sooty sky. Like a damn high-rise prison. Probably held a thousand people. How could they stand it?
    There was a flurry of activity near the entrance to the kitchen and Sawtelle glanced over disinterestedly. Maybe it was his lunch. Prepared tableside, the menu had said. And just how the hell were they going to do that: wheel a Weber grill over and fire up the charcoal? But sure enough, here they came, a whole damn procession of men in white smocks, pushing what looked like a small gurney in front of them.
    The chef parked the rolling table at Sawtelle's elbow with a proud flourish. He barked a few orders in rapid-fire French and several underlings began to scurry around, one chopping onions, another frenziedly beating a raw egg. Sawtelle scanned the rolling table. There were little white toast points, a pile of round green things he guessed were capers, spices and dishes of unknown liquids, and a cupful of minced garlic. In the center, a fist-sized wad of raw hamburger. No steak or tartar sauce to be had for love or money.
    With great ceremony, the chef dropped the hamburger into a stainless bowl, poured in the raw egg, the garlic, and onions, then began mashing everything together. In a few moments, he removed the sticky mass and dropped it back onto the rolling table, working it slowly between his fingers. Sawtelle glanced away, making a mental note to ask that the hamburger be cooked extra-well-done. You never know what kinds of diseases these New Yorkers carry around. And where was the damn grill, anyway?
    At that moment, a waiter appeared at the client's side and slipped a plate onto the table. Sawtelle looked over in surprise just as another waiter darted in and slid something in between his own knife and fork. Looking down, Sawtelle saw with incredulity that the glistening patty of raw beef-now tamped down into a neat little mound-sat in front of him, surrounded by wedges of toast, chopped eggs, and capers.
    Sawtelle looked up again quickly, uncomprehending. Across the table, the client was nodding approvingly.
    The chef beamed at them briefly from the far side of the table, then stepped back as his flunkies began wheeling the apparatus away.
    "Excuse me," Sawtelle said in a low voice. "You haven't cooked it."
    The chef stopped. "Pourquoi?"
    Sawtelle jerked a finger in the direction of his plate. "I said, you haven't cooked it. You know, heat. Fire. Flambé."
    The chef shook his head vigorously. "No, monsieur. Is no cook."
    "You don't cook steak tartare," the client said, pausing as he was about to sign the contracts. "It's served raw. You didn't know?" A superior smile came briefly to his lips, then vanished.
    Sawtelle sat back, rolling his eyes heavenward, struggling to keep his temper. Only in New York. Twenty-five bucks for a mound of raw hamburger.
    Suddenly, he stiffened. "Sweet Caesar, what the hell is that?"
    Far above him, a man dangled in the sky: limbs flung wide and flailing silently in the chill air. For a moment, it seemed to Sawtelle that the man was just hovering there, as if by magic. But then he made out the thin taut line of rope that arrowed upward from the man's neck. It disappeared into a window above, black and broken. Sawtelle stared openmouthed, thunderstruck by the sight.
    Others in the restaurant had followed his gaze.

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