âMy God,â she said. âLook at your wrist. It looks horrible. Just look at your poor wrist.â
He was totally ashamed; dropped his injured hand into the water, hid it behind his naked left thigh. âItâs nothing,â he said.
âItâs not nothing. Itâs all torn up. Here, let me see it. Weâre going to have to do something about that. It looks just awful.â
âItâs all right, itâs nothing.â
She searched his face with the cool gray gaze. It felt like a spray of cold water on him. He discovered that he wanted to cower away from her stare; now she had the goods on him, now she knew his whole guilt. She stepped carefully away from him and around and set the cup and saucer atop the cistern of the toilet. Then she came back, sat on the tub edge. âItâs not all right. How can you say that? Itâs raw and bleeding.â¦Here.â She reached for the wrist, but he jerked it away, behind his back.
âNo,â he said.
She straightened herself, shook water from her gleaming plump hand. She began to talk slowly, in a quiet voice. âPeter, what is it? Whatâs been wrong with you lately? What hapÂpened up there in that attic?â
He shook his head. âNothing; nothing hapÂpened. I was just being silly, messing around with those chains.â
âThatâs not right.â She too shook her head, setting the blond strands atwitch. âIâve never seen you like that. Iâve never seen anyone like that.â She rubbed her eyes with her forearm. âI hope I never see anybody in such a state again.â
She was merciless. He waited, but finally had to speak. âThereâs nothing wrong. I just got too curious about the chains. Like the monkeys you were talking about. Thereâs not much that can happen to a fellow alone in an attic, after all.â And now he felt that he was betraying her, beÂtraying both of them. But, really, wasnât it merely a harmless lie designed to shelter her feelings?
âOh, thatâs not right, thatâs not right at all.â Verge of exasperation. âYou know itâs not like that.â¦Because itâs been going on too long. Thereâs been something wrong with you ever since we got to the farm.â
âWhatâs that? What are you talking about?â A question meant to embarrass her, to force her to describe behavior for which there was no good description; thus, to draw from her an accusation because of the lack of concreteÂness. Perhaps an accusation was what he most wantedâ¦.
She skirted the trap as easily as a plump dowaÂger, lifting her hem demurely, would avoid a puddle. She looked at his dampening forehead. âI donât think this place is healthy for you, I know itâs not. I donât think we ever should have come here.â
Now he knew he was on safer ground, but he didnât feel any more confident. âThatâs pretty silly, donât you think? I mean, really; it sounds like something out of a horror story or a Bela Lugosi movie or somethingâ¦.It doesnât really mean anything, does it?â
She rose slowly (but she was angry) and began walking up and down, taking precise military strides like a man. How often it had seemed to Peter that she was a man, maybe more male in the way it counted than heâ¦.âDonât you do that,â she said. Baldly warning tone. âDonât you patronize me. Donât say to me, 1 mean , really . Youâre not the kind to patronize, you donât have the weight. And you know me too well. You know I donât talk just to be talking.â
âI didnât mean it that way. Of course I didnât. But youâll have to admit, the way you, put it, it does seem sort of silly and made-up.â
âNo, it doesnât.â She was behind him now, standing still. Her voice was tight and even. âBut youâve made up your mind not
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