the door most of the way and tips his baseball cap. â Hola . How was your day?â He steps slowly, careful not to knock down the chairs up on the little tables.
âLong.â This is totally true. Iâve been dying to see him today, dying to know if heâll act the same with me, wondering if weâll kiss again. I pull out my easel from the closet, the one with my painting.
âSame here,â he says, watching me prepare brushes, cloth, mineral spirits. He then sits on a low countertop nextto me. âYouâre going to work on that some more, I see?â
âYes, I want to add a beach. This girlâs sitting on the sand, looking out, but I still donât know what she wants or what sheâs thinking. I guess no oneâll ever really know.â
âKind of like the Mona Lisa.â
âExactly. Like the Mona Lisa.â I smile, happy that he recognizes the mystery behind da Vinciâs masterpiece. Most people my age wouldnât know anything about the Mona Lisa.
I focus on my canvas and begin blending the oils on my palette, trying to get the right tone for the sand to complement the dark clouds. Scraping off my brush, I start dabbing the paint onto the canvas. Andrew watches without a word. The real storm clouds outside start rumbling, announcing their daily visit. Thatâs summer in the Everglades for you. And they call this the Sunshine State.
I work the paint in quickly, because I want to finish this section before I leave today. It feels a little strange to have an audience. I almost never paint with someone watching. This is my quiet time. Iâm usually alone. Andrew barely moves or breathes. Outside I hear the sound of some kids squealing, as the rain starts to come down. A sweet smell wafts into the room. Perfect rain.
Andrew, maybe sensing my love of stormy afternoons, stands up and moves behind me to get cozier. He leans his chin on my shoulder for a better view. âIs this bothering you? Just tell me.â
âNo, itâs not,â I hear myself say kind of quickly. It probably should bother meâ¦I mean, Iâm working hereâ¦but itdoesnât. Not in the slightest. It feels nice to have someone genuinely admiring my one real talent.
âJust tell me if I start bugging you.â
He reaches around my waist and links his hands, like weâre slow-dancing to the sound of the rain. My stomach starts fluttering again. Thatâs practically zero butterflies in the last two years, and now a whole multitude has visited me these last few weeks. Why am I going so crazy over him?
Weakling. Youâre a weakling, Isa .
I probably shouldnât be able to concentrate on this painting with him holding me like this, yet I can. His being here helps me, as I work the oils. The storm outside now pounds the roof. Maybe I should always have him around. Maybe Andrewâs my muse.
He turns his face toward me, getting a close look as I paint. Heâs enjoying this, watching me workâthe girl, this beach, these clouds, listening to the downpour outside and the sound of my breathing. And then, oh God, the final touchâ¦he moves his mouth to my neck and kisses me softly. Once. His mouth lingers there, totally and completely teasing me.
Okay, now I canât concentrate.
He pulls me closer. I can feel his every contour. Every contour. My grip on the paintbrush slips. My hands are sweating. And then, I realize Iâm swooning again, like the first time he came in here. The room is sort of swirling, not completely dizzying, but enough for me to forget where I am for a second. My eyes close.
Exactly what kind of special power does he have to make me feel like this? Itâs not right. Iâm leaving soon; we shouldnât be doing this. I have to tell him.
âAndrew?â
Just the rain answers me, and I really donât feel like interrupting again. Maybe I should listen to my brotherâs wisdom. Go with the flow.
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