employment at the opera house, informing me that she had been murdered.â
âYes, murdered.â The landlady almost smiled.
âFor how long did she let a room here?â
âNear two yearsâno, a year and a half. Would have been two years in the spring.â
âAlmost two years,â Gabriel murmured to Miss Flax.
The landlady led them across the courtyard, through a low doorway, and into a murky room that was half office and half refuse heap.
âI remember Sybille as a meek young girl,â Gabriel said.
âThey always turn out that way from those convent orphanages. She grew up in one of those since the age of four, she told me. Mild as a little lamb she was, and always paid her rent on time and kept her room clean. Scarcely made friends with the other girls. Never a peep out of that one. No trouble at all. Well, until lately.â
âOh?â Gabriel said, ignoring Miss Flaxâs glare. She did not like being left out of things, but he sensed the landlady was in a hurry to be rid of them. He wished to learn all that he could from her while he had the chance.
The landlady dug through boxes and buckets on the floor. âIn this month or so past, she stayed out past curfew several times. I insist upon a strict curfew. Even these ballet girls who work late can be in by midnight, and I will not have my establishment going to the dogs like
some
. Mademoiselle Pinet claimed to have lost track of time, but that was not
like
her, you see, and she also seemed, as of late . . . haunted.â
âHaunted?â
Miss Flax pursed her lips with exasperation.
â
Wait
,â Gabriel whispered to her.
âNerves,â the landlady said. âAlmost on the verge of tears over her bread in the mornings, for no reason! And those dark circles round her eyes.â The landlady clucked her tongue. âMixed up in bad business, sorry to say. Ah. Here we are.â She picked up a small wooden crate.
âDid you see her with any strange persons? Did she mention anything at all to you?â
âNo. But it was as though all the color drained right out of her, and then . . . she was dead. Killed by a madman of the streets, I saw in the newspaper.â
âWhat was the name of the convent orphanage from which Mademoiselle Pinet came?â
The landlady passed Gabriel the crate. âI do not quite remember, but I fancy it had something to do with stars.â
*Â Â Â *Â Â Â *
âStop keeping me out of the conversation,â Ophelia grumbled to Penrose, once they were back on the street.
âShe was anxious to be rid of us.â
âWhat did she say?â
He told her.
This time, Ophelia allowed Penrose to hire a carriage. She was eager to look into the crate of Sybilleâs possessions. Also, her feet were sore, but sheâd never admit to
that
.
Once theyâd climbed inside a carriage, Penrose lifted the crateâs lid.
A womanâs garments lay folded in a stack. Threadbare gowns, dingy petticoats, darned stockings, and a sad little pair of button boots that had been resoled even more times than Opheliaâs own. Beneath the clothes, a tarnished hairbrush and comb, a few stray ribbons and buttons, a tiny French prayer book, and a wooden rosary. That was all.
âGuess they donât pay the ballet girls much,â Ophelia said. Sadness fell around her. Poor Sybille. Opheliaâs life had been just as humble, but she had never been so desperately
alone
.
âThere is nothing here to suggest that Miss Pinet had . . . admirers.â
âNo. She probably would have had finer things, wouldnât she? Wait. Whatâs this?â A bit of paper stuck against the inside of the crate. Ophelia wiggled it loose. A lavish engraving of flowers and letteringâall in Frenchâcovered one side.
âA floristâs trade card. It lists its name and address, here in Paris.â
Ophelia
Shay Savage
Selena Kitt
Donna Andrews
William Gibson
Jayne Castle
Wanda E. Brunstetter
R.L. Stine
Kent Harrington
Robert Easton
James Patterson