the door, ran the gauntlet of another barrage of well–meaning comments by the doorman, and entered the elevator. In another moment, she was standing at her door. She slid in the key, unlocked it, and felt around the corner for the light switch, which she immediately found.
Double–locking the door and sliding home its newly installed bolt, she glanced around. Everything was perfectly neat, cleaned, polished, repainted. Quickly but methodically, she searched the entire apartment, including the closets and under the bed. Then, opening the curtains of the living room and the bedroom, she turned off the lights again. The glow of the city filtered in, throwing the apartment into shadow, giving a soft, gauzy focus to its surfaces.
She could stay here tonight, she knew now; she could wrestle with her devils.
Just so long as she didn't have to look at anything.
Cemetery Dance
Chapter 12
The waitress brought their orders: pastrami on rye with Russian dressing for D'Agosta, a BLT for Laura Hayward.
"More coffee?" she asked.
"Please." D'Agosta watched as the harassed–looking waitress refilled his cup. Then he turned back to Hayward. "And that's about where we stand," he concluded.
He'd invited Captain Hayward to lunch to bring her up to speed on the investigation so far. Hayward was no longer a homicide captain — she'd been given a lateral shift and was now working in the police commissioner's office, where she was in line for a plum promotion. If anybody deserved it, he thought ruefully, Laura did.
"So," he said, "you read it?"
She glanced at the newspaper he'd brought. "Yes."
D'Agosta shook his head. "Can you believe they print this stuff? Now we've got all kinds of jackasses calling in sightings, anonymous letters that have to be followed up, phone calls from psychics and tarot card readers … You know what this town is like whenever a weird story like this breaks. This is just the sort of shit I don't need right now."
A small smile played about Hawyard's lips. "I understand."
"And people believe this trash." He shoved the paper out of the way and took another sip of coffee. "So … what do you make of it?"
"You have four eyewitnesses swearing Fearing is the killer?"
"Five — including the victim's wife."
"Nora Kelly."
"You know her, right?"
"Yes. I knew Bill Smithback, too. A little unorthodox in his methods, but a good reporter. What a tragedy."
D'Agosta took a bite of his sandwich. The pastrami was lean, the dressing warm — just the way he liked it. It always seemed that when a case was pissing him off, he started to overeat.
"Well," she continued, "either it's Fearing or somebody disguised as him. He's dead or he isn't. Simple enough. Got any DNA results?"
"Blood from two people was found at the scene — Smithback's and somebody as yet unidentified. We've obtained samples of DNA from Fearing's mother and we're running them against the unknown blood now." He paused, wondered if he should tell her about the unusual way they were getting the DNA tests done, decided against it. It might not be legal, and he knew what a stickler Hayward was for the proverbial book. "The thing is, if it wasn't Fearing, why would anybody go to the trouble of trying to look like him?"
Hayward took a sip of water. "Good question. What does Pendergast think?"
"Since when does anybody know what that guy thinks? But I'll tell you one thing: he's more interested in that voodoo crap found at the scene than he wants to let on. He's spending an awful lot of time going over it."
"That stuff mentioned in the article?"
"Right. Sequins, a bunch of feathers tied together, a little parchment bag full of dust."
"Gris–gris," Hayward murmured.
"I'm sorry?"
"Voodoo charms used to ward off evil. Or sometimes to inflict it."
"Please. We're dealing with a psychopath. The crime couldn't have been more disorganized and poorly planned. On the security tape the guy looks like he's on drugs."
"You want my opinion, Vinnie?"
"You
Roni Loren
Ember Casey, Renna Peak
Angela Misri
A. C. Hadfield
Laura Levine
Alison Umminger
Grant Fieldgrove
Harriet Castor
Anna Lowe
Brandon Sanderson