Catastrophe 1914: Europe Goes to War

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Authors: Max Hastings
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declared to former French foreign minister Théophile Delcassé: ‘We shall not let ourselves be trampled upon.’
    A conscientious ruler, Nicholas saw all foreign dispatches and telegrams; many military intelligence reports bear his personal mark. But his imagination was limited: he existed in an almost divine seclusion from his people, served by ministers of varying degrees of incompetence, committed to sustaining authoritarian rule. An assured paternalist, on rural visits he was deluded about the monarchy’s popularity by glimpses of cheering peasantry, with whom he never seriously engaged. He believed that revolutionary and even reformist sentiment was confined to Jews, students, landless peasants and some industrial workers. The Kaiser would not have dared to act as arbitrarily as did the Tsar in scorning the will of the people: when the Duma voted against funding four battleships for the Baltic Fleet, Nicholas shrugged and ordered that they should be built anyway. Even the views of the 215-member State Council, dominated by the nobility and landowners, carried limited weight.
    If no European government displayed much cohesion in 1914, Nicholas II’s administration was conspicuously ramshackle. Lord Lansdowne observed caustically of the ruler’s weak character: ‘the only way to deal with the Tsar is to be the last to leave his room’. Nicholas’s most important political counsellor was Sergei Sazonov, the foreign minister. Fifty-three years old and a member of the minor nobility, he had travelled widely in Europe, serving in Russia’s London embassy, where he developed a morbid suspiciousness about British designs. He had now led the foreign ministry for four years. His department – known for its location as the Choristers’ Bridge, just as its French counterpart was the Quai d’Orsay – spoke scarcely at all to the Ministry of War or to its chief, Vladimir Sukhomlinov; meanwhile the latter knew almost nothing about international affairs.
    Russian statesmen were divided between easterners and westerners. Some favoured a new emphasis on Russian Asia and exploitation of its mineral resources. The diplomat Baron Rosen urged the Tsar that his empire had no interests in Europe save its borders, and certainly none worth a war. But Rosen was mocked by other royal advisers as ‘not a proper Russian’. Nicholas’s personal respect and even sympathy for Germany caused him to direct most of his emotional hostility towards Austria-Hungary. Though not committed to pan-Slavism, he wasdetermined to assert the legitimacy of Russian influence in the Balkans. It remains a focus of keen dispute how far such an assumption was morally or politically justifiable.
    Russia’s intelligentsia as a matter of course detested and despised the imperial regime. Captain Langlois, a French expert on the Tsarist Empire, wrote in 1913 that ‘Russian youth, unfortunately supported or even incited by its teachers, adopted anti-military and even anti-patriotic sentiments which we can scarcely imagine.’ When war came, the cynicism of the educated class was evidenced by its many sons who evaded military service. Russian literature produced no Kipling to sing the praises of empire. Lack of self-belief, coupled to nationalistic aggressiveness, has always been a prominent contradiction in the Russian character. Nicholas’s thoughtful subjects were conscious of their country’s repeated failures in wars – against the British, French, Turks, Japanese. The last represented the first occasion in modern history when a European nation was defeated by an Asiatic one, which worsened the humiliation. In 1876 the foreign minister Prince Gorchakov told a colleague gloomily: ‘we are a great, powerless country’. In 1909 Gen. A.A. Kireyev lamented in his diary, ‘we have become a second-rate power’; he believed that imperial unity and moral cohesion were collapsing. When Russia acquiesced in Austria’s annexation of Bosnia-Herzegovina, he

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