Butcher's Crossing

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Authors: John Williams
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darkness that was more familiar and more safe.
    Occasionally he would interrupt his wait by the window and go down into the street. There the few buildings in Butcher’s Crossing broke up his view of the land, so that it no longer stretched without limit in all directions—though at odd moments he had a feeling as if he were at a great distance above the town, and even above himself, gazing down upon a miniature cluster of buildings, about which crawled a number of tiny figures; and from this small center the land stretched outward endlessly, blotched and made shapeless by the point from which it spread.
    But more usually, he wandered upon the street among the people who seemed to flow into and out of Butcher’s Crossing as if by the impulse of an erratic but rhythmical tide. He went up and down the street, in and out of stores, paused, and went swiftly again, adjusting his motions to those of the people he moved among. Though he sought nothing in his mingling, he had odd and curious impressions that seemed to him important, perhaps because he did not seek them. He was not aware of these impressions as they occurred to him; but in the evening, as he lay in darkness on his bed, they came back to him with the force of freshness.
    He had an image of men moving silently in the streets amidst a clatter of sound that was extraneous to them, that defined rather than dispersed their silence. A few of them wore guns thrust carelessly in their waistbands, though most of them went unarmed. In his image, their faces had a marked similarity; they were brown and ridged, and the eyes, lighter than the skin, had a way of looking slightly upward and beyond whatever they appeared to gaze at. And finally he had the impression that they moved naturally and without strain in a pattern so various and complex that his mind could not grasp it, a pattern whose secret passages could not be forced or opened by the will.
    During Miller’s absence, he spoke of his own volition to only three persons—Francine, Charley Hoge, and McDonald.
    Once he saw Francine on the street; it was at noon, when few people were about; she was walking from Jackson’s Saloon toward the dry goods store, and they met at the entrance, which was directly across the street from the hotel. They exchanged greetings, and Francine asked him if he had got used to the country yet. As he replied, he noticed minute beads of sweat that stood out distinctly above her full upper lip and caught the sunlight like tiny crystals. They spoke for some moments, and an awkward silence fell between them; Francine stood solid and unmoving before him, smiling at him, her wide pale eyes blinking slowly. At last he muttered an apology and walked away from her, up the street, as if he had some place to go.
    He saw her again early one morning as she descended the long stairway that came from the upper floor of Jackson’s Saloon. She wore a plain gray dress with the collar unbuttoned at the throat, and she came down the stairs with great care; the stairs were steep and open, so that she watched her feet as she placed them precisely at the center of the thick boards. Andrews stood on the board sidewalk and watched her come down; she did not wear a hat, and as she came out of the shadow of the building, the morning brightness caught her loose reddish-gold hair and gave warmth to her pale face. Though she had not seen him as she came down, she looked up at him without surprise when she got to the sidewalk.
    “Good morning,” Andrews said.
    She nodded and smiled; she remained facing him with one hand still on the rough wooden bannister of the stair; she did not speak.
    “You’re up early this morning,” he said. “There’s hardly anyone on the street.”
    “When I get up early, I take a walk sometimes.”
    “All alone?”
    She nodded. “Yes. It’s good to walk alone in the morning; it’s cool then. Soon it’ll be winter and too cold to walk, and the hunters will be in town, and I won’t be

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