though.â Hy looked closer into the cabinet. âNot all the ones here.â
âOh, yep, those are all island snakes.â
âThey canât be island snakes. There are only two kinds here. They must be from away.â
âCaught âem and skinned them myself.â
And then it came to her. The snakes were from away â and from the island. The bizarre fall of snakes from the sky last summer. An unexplained phenomenon that had chosen The Shores as it target. Thereâd been no official recording of them by species. They fell too fast and slithered away just as quickly. Truth was, Ian, the self-styled scientist, was terrified of snakes, and hadnât pursued even one.
As they left Big Bay, the idea began to unfold in Hyâs mind about Moiraâs wedding dress.
But would she go for it?
Chapter Eleven
The boys were settled, her art in place.
Vera took turns spending evenings with them. Sheâd never been that handy but sheâd learned that elderly gentlemen liked a woman knitting or crocheting or engaging in some form of feminine art, sitting with them in the evening. Sheâd taken the habit of making crocheted covers for toilet paper in pastel Phentex yarn. Sheâd expanded from there to making antimacassars to keep natural oils off the backs of armchairs. Only one of her boys used an armchair, and he was not the least bit oily, but she had to do something to while away the hours.
None of them were great conversationalists, or was it just that they had run out of conversation with her?
âWhat are you reading, dear?â
The most she got was a grunt. Or at least it sounded like a grunt. Blairâs eyes were, as usual, glued to his latest book.
She looked at the walls around them. In fact, she couldnât see any walls. They were all covered, floor to ceiling, wall to wall, in bookshelves jammed with books.
Heâd read every single one of them and Frank delivered more every day.
She was surprised Blair could even keep up with them. He was having a hard time. They were stacked in piles at his feet, tomes as yet unread.
He was plowing â chronologically â through every work of fiction ever written, she thought. Certainly all the main stuff. He was now well into the nineteenth century â terrain that was more familiar and palatable to her than Beowulf and Chaucerâs incomprehensible early English. But she never read herself, just crocheted at his side every third evening and anticipated when heâd come to the last page.
Even then he rarely uttered a word, not one that she could remember in recent history. He just held up that book in a certain way, and she knew. He was finished. Sheâd slip it out of his hands, find it a place in the bookshelves, arranged alphabetically by author, and then pick up one of the ones at his feet and slip it into his waiting hands. It didnât usually matter which one. He always seemed content with her selection. He certainly never objected. The smile on his face was her reward.
Each of her ex-husbands got two evenings a week of her company, and all three appeared satisfied with the arrangement.
The truth was that Vera was an incredibly boring woman, and so they were probably happy to be left mostly to themselves.
Charlie, the artist, would not even turn from his easel to greet her when she came in. He was a slow and meticulous painter, and the same work could sit on that easel night after night, week after week, month after month. He always returned, though, to the same unfinished painting. The painting of her. There it would be, suddenly produced and propped up on the easel. There would be no crocheting then. She would have to stand and pose for him. Sometimes she felt his eyes were hinting at more â at a renewal of their marital relations. But heâd never been any good at it, and the thought of him pawing her body made her shudder. You would have thought his artistâs hands would have
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