house. I can breathe now. I am glad we are moving. I am glad we are in a single-file line, saying nothing, not looking at each other. I am glad we are pretending nothing happened.
A mother with two crying young children gives us a twenty just to make us go away. An old man gives us seventy-six cents and invites us to come in and see his collection of World War II memorabilia. A woman with a million cats gives us a five. A thirty-something guy in a stained white undershirt gives us nothing, but tells us weâre pretty and says heâll give us some whiskey if we stick around. I consider it, but Sarah starts walking.
We knock on the door of a small house with a yard that looks like it was beautiful until recently. The hedges betray perfectly trimmed angles, fallen leaves litter the overgrown grass, and the skeletons of various flowers line the side of the house. I can hear movement inside and someone talking. A frail old woman opens the door and smiles when she sees us. A strange odor seeps out of the house, like something way too sweet.
âOh, hello,â she says, like sheâs been waiting for us.
âHello, maâam,â Sarah says and starts the speech, but the lady keeps looking back and forth at us with the big grin on her face like sheâs not even listening. Sarah gets to the part about the animals when the lady interrupts her.
âCome in, come in,â she says. âGeorge and I were just sitting down for dinner.â
âWe donât want to impose,â Sarah says.
âHoney, the more the merrier,â says the lady. âWe love company, donât we, George?â she calls behind her into the house, but no one answers.
As we enter, the smell is overwhelming. My eyes start to water and Sarah coughs. The lady is saying something about having no grandchildren, but I canât hear her because Iâm looking around the house at every single table and windowsill and countertop covered with vases full of molding, dead flowers, giant bouquets like the kind people send after someone dies. The table is set for two but no one is there. A small pile of saltines is on one of the plates next to a half-eaten can of tuna.
âNow what were you saying about gerbils?â the lady asks.
âWeâre raising money to buy them,â I say. âFor our science class.â
âOh,â the lady says. She looks around the room nervously,as if searching for gerbils or cash or something that will help us. âI thinkââ the lady says, but doesnât finish her sentence. She is digging through the pockets of her polyester pants.
âItâs okay,â Sarah says. âIf you canâtââ
âNo,â the lady says. âI want to help you.â She walks into the living room, over to the couch, picks up a purse, and starts rummaging through it.
âI think weâve actually reached our goal,â Sarah says, looking at me with a sadness in her eyes that makes her suddenly look very old. âI think weâre done fund-raising, so weâre going to go now.â
âNo, wait,â the lady says. âI know I have some money for you.â There is a panic growing in her voice. My eyes search for something to look at, anything but her. I look at the table. There are flies on the tuna. There is mold on the saltines.
âIt was nice meeting you, maâam,â I say, already walking toward the door. âWeâll see our way out.â
âNo, wait,â she says again. âGeorge, see if you have any money for these nice girls.â
I open the door and suck in fresh air. I look behind me and Sarah is taking a twenty-dollar bill out of our manila envelope. She places the money under the plate that holds the ladyâs awful dinner. The lady is still in the living room, rummaging through her purse and saying, âNo, wait,â over and over,asking George to help her. Sarah meets my eye and starts walking,
Vivian Wood
Erica Vetsch
Cher Etan, BWWM Club
John M. Del Vecchio Frank Gallagher
Lane Hart, Aaron Daniels, Editor's Choice Publishing
John Thomas Edson
Billy London
Allison Lane
C. M. Owens
Linda Kage