Arc D'X
anyway. Perhaps I said that not so as to ease her passage into death but to deliver myself to the forbidden that I had denied myself so long even as I hungered for it. In a year I'll be fifty. I passed some time ago that point where I was closer to the end than to the beginning. I spent all the years up to that point as the slave of my head's convictions rather than my heart's passions, and never felt as alive as the first night I took her. Never felt as alive as those moments when I knew I'd done something that could A R C D'X ' 46

    never be forgiven. In the nights that have passed since, I accepted such moments not as the crimes that contradicted what I believed in but as the passionate chaos that justified and liberated the god of reason living within me. I've asked myself whether I love Sally.
    I believe I have come to love her, even if it's not the way I loved my wife. Sally was the woman who was there when I was closer to the end than the beginning, when I wasn't so willing to surrender my moments only to my convictions. Surrendering to passion, I came to believe my convictions not less, but more.

    When I was young, the state of Virginia did not allow a man to free his own slaves. Such was the bond between the slave and the man who owned her. Such was the state that would not loosen such a bond. At the age of twenty-five I offered to the state a law that would allow a man to free his slaves, freeing not only the slave but the man who owned her. The state was outraged. Twenty years later I took her in the Paris night and cannot free myself from it: such is the bond between us. And no law will set me free of the thing I own, the thing that possesses me in return.

    I believe in time the black one may be whole. The state hates me for saying so.

    I've invented something. As the germ of conception in my head it was the best and wildest and most elusive of my inventions. It's a contraption halfcrazed by a love of justice, a machine oiled by fierce hostility to those who would ride the human race as though it were a dumb beast. I've set it loose gyrating across the world. It spins through villages, hamlets, towns, grand cities. It's a thing to be confronted every moment of every day by everyone who hears even its rumor: it will test most those who presume too glibly to believe in it. But I know it's a flawed thing, and I know the flaw is of me. Just as the white ink of my loins has fired the inspiration that made it, so the same ink is scrawled across the order of its extinction. The signature is my own. I've written its name. I've called it America.

    STEVE E R I C K S O N • 47

    In the autumn of 1 7 8 9 Thomas left Paris with his daughters, valet, and mistress and set out for home. On the night they came within sight of the Virginia coast their ship caught fire and the entourage, with as many of their possessions as could be rescued, were loaded into small boats and rowed ashore. The ship burned behind them in the sea. On Christmas Day James drove their coach over the familiar hills of Thomas' plantation, which Thomas and Patsy and James hadn't seen in nearly seven years; and suddenly the horizon filled with the black faces of slaves rushing to welcome them. For the last mile the slaves followed the coach to the house, shouting at James and cheering when the carriage door opened and Thomas emerged, followed by the two daughters. But the commotion stopped still at the sight of the beautiful black slavegirl who took her master's hand to step from the coach, dressed in her fine European clothes. Without a word, staring straight ahead of her, Sally kissed her stunned mother and then vanished with Thomas into the house, as unmistakably pregnant as she was elegant.

    The child died at birth. It was a small girl, who would have had the face of her mother and the firelike hair of her father. Over the next ten years Sally bore Thomas several children; it was the last, a son named Madison, who would later identify Thomas as his

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