was held in a large, high-ceilinged room with sculptured yellow flower arrangements on shiny leggy furniture and frightful oils of elder statesmen on eau-de-nil walls. As April signalled the start of the Argentine autumn, the central heating was on at full blast.
Having spent many years on the show-jumping circuit and as a Tory minister, Rupert discovered he knew plenty of people. Most of the guests, however, knew no-one, so they gravitated to the evening’s two celebrities. Hermione, who was now wearing a wonderbra and a purple Chanel suit, was livid that the crowd round Abby was so much larger.
Abby had changed into a very short halter-necked dress in oyster-coloured silk, which clung lasciviously to her marvellous body. Her hair, freed from its black velvet ribbon, rippled in Pre-Raphaelite abundance over her shoulders. She was still clutching her dark red roses, whose long stems dripped onto her skirt, moulding it between her thighs. She was also wearing high heels which enabled her to see over the crowd to where Christopher was having a competition with Hermione to see who could crinkle their eyes at one another the more engagingly.
Rupert, half-listening to the ancient Italian Ambassador, who like all ambassadors seemed to have once had an affaire with his mother, was tall enough to watch Abby over the crowd. She looked wild, vulnerable and on the brink of tears, as she made heroic attempts to scintillate on the Perrier Christopher had forced on her, politely signing programmes and answering silly questions about how she got such a lovely shine on her fiddle. When the fifteenth person asked how she managed to memorize so many notes, she finally flipped and snapped back: ‘By learning them.’
As Christopher was still arched over Hermione, about to free fall down her cleavage, Abby slid out of the group of admirers, across the room, and onto the balcony where Julian Pellafacini had commandeered a bottle of Beaujolais and was quietly getting drunk. Easily the most diplomatic person in the room, who had spent his entire career keeping the peace between troublesome conductors and temperamental players, Julian had suffered this afternoon the almost unique humiliation of being bawled out three times by Rannaldini in front of the orchestra.
Emptying Abby’s Perrier over the balcony, he filled up her glass with red wine. After the stifling room, it was blissfully cool. Abby breathed in a smell of damp earth, moulding leaves and the distant reek of bonfires. The full moon was untangling itself from the trees, a round gold ball for Orion’s dogs to play with.
‘Where’s Rannaldini?’ she asked.
‘Taking a conference call from Japan, or so he says.’
With his blond hair even whiter in the moonlight, and his long pale kindly face, Julian looked like the ghost of Abraham Lincoln who’d had a premonition he was about to be assassinated.
‘Rannaldini was so god-damned charming when he was guesting,’ he said bitterly, ‘that the orchestra, particularly the young players, were knocked out when he got the job. Now they’re shell-shocked – like a bride waking up on the first morning of her honeymoon to find her handsome young groom’s turned into a werewolf.
‘Rannaldini met the Second Flute outside the elevator this evening. “Alio leetle girl,” he purred, “I ’aven’t made you cry yet ’ave I?“’ Julian shuddered and filled up his glass.
‘He’s a lousy conductor,’ said Abby scornfully. ‘He only gets edge-of-seat performances because no-one knows what he’s going to do next. If you hadn’t held the first violins back in the last movement, I’d have come off the rails.’
When she told Julian about the proposed record deal with Rannaldini and the New World he was delighted.
‘The orchestra would love it, they thought you were terrific.’
‘Christopher didn’t,’ sighed Abby.
‘Then you need a new agent,’ said Julian angrily. ‘Christopher once tried to get me on his books.
Melissa Giorgio
Max McCoy
Lewis Buzbee
Avery Flynn
Heather Rainier
Laura Scott
Vivian Wood, Amelie Hunt
Morag Joss
Peter Watson
Kathryn Fox