An Ensuing Evil and Others

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Authors: Peter Tremayne
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commission from Rome is read, let silence be commanded.” Then Richard Burbages voice cried: “What’s the need? It hath already publicly been read, and on all sides the authority allow’d; you may then spare that time.” Wolsey replied: “Be’t so. Proceed.”
    The cacophony of the trumpet and cornets sounded.
    Drew burst into the small box and saw the young man bending with the lighted taper to the touch hole. On stage he was aware that the figures of Burbages King, and the actors playing Cardinal Wolsey and Cardinal Campeius, the urbane figure of Hawkins, had come to the front of the stage and were staring up at the cannoneer, waiting. The constable did not pause to think but leapt across the floor, kicking at the muzzle of the small cannon. It jerked upward just as it exploded. The recoil showed that it had been loaded with ball; its muzzle had been pointed directly at the figure of Cardinal Campeius. The hot metal crashed across the interior of the theater and fell into the thatch above the stage area.
    There were cries of shocked surprise and some applause, but then the noise of the crackle of flames where the hot metal landed on the dry thatch became apparent. Cries of “Fire!” rose on all sides.
    Master Drew swung round only to find the fist of the young man, Toby Teazle, impacting on his nose. He went staggering backward and almost fell over the wooden balustrade into the crowds below as they streamed for the exits of the theater.
    By the time the constable had recovered, the young man was away, leaping down the stairs and was soon lost in the scuffling fray.
    Master Drew, recovering his poise, hastened down the steps as best he could. The actors, with Cuthbert Burbage, were pushing people to the exits. The dry thatch and tinder of the Globe were like straw before the angry flames. The theater was becoming a blazing inferno.
    Master Drew groaned in anguish as he realized that the young man was lost among the crowds now and there was never a hope of catching him.
    It was more than nine months later, in the spring of the following year, 1614, that the new Globe Theatre eventually rose from the ashes. This time it was erected as an octagonal building with a tiled roof replacing the thatch. Fortunately no one had been injured in the fire, and all the costumes and properties had been saved thanks to the quick wit of the actors, and all the manuscripts of the plays had been stored elsewhere, so the loss was negligible.
    Apart from Master Oliver Rowe, two other players were not present to see the magnificent new Globe Theatre. Master Tom Hawkins was languishing in Newgate Gaol. However, he was not imprisoned for the fraudulent misuse of another playwrights work. In fact, The Vow Breaker Delivered had been taken off on the third night and had made a loss for the Blackfriars Theatre. No, Master Hawkins was imprisoned for breach of promise to the young lady who lived at the Boar’s Head Tavern in Eastcheap. As Constable Hardy Drew remarked, The Vow Breaker Delivered had been an inspired prophetic title, as apt a title as could have been chosen by Master Bardolph Zenobia.
    The other missing player was Master Toby Teazle.
    It was the very day after the new Globe Theatre had opened that Constable Drew was able to conclude the case of the murder of Master Oliver Rowe, sometime one of the Kings Men. Master Cuthbert Burbage asked Constable Drew to accompany him to the Hospital of St. Mary of Bethlehem.
    Drew was mildly surprised at the request. “That is the hospital for the insane,” he pointed out. Most Londoners knew of Bedlam, for as such the name had been contracted.
    “Indeed it is, but I think you will want to see this. I have been asked to identify someone.”
    An attendant took them into the gray-walled building, which was more of a prison than a hospital. The stench of human excrement and the noise arising from the afflicted sufferers was unbelievable. The attendant took them to a small cell door and opened

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