Americana

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Authors: Don DeLillo
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radio. He held it to his ear and crossed the street with no regard for traffic. I walked behind him for five blocks and he didn’t lower the radio once. I moved alongside him. He was listening to a weather report and talking to himself, or talking back to the radio. He was much younger than I had expected, a boy of about fifteen, very round and blotchy in appearance, secret eyes peering out of the baby fat, and he had the slightly retarded look of incipient genius—that crowlike scratchy cunning of the city’s ragpickers and bottle-savers, those evolutionary masters of survival. The boy looked at me.
    “Snow bulletin,” he said.
    I never liked to get too close to such people. I crossed ThirdAvenue quickly. I had gone less than a block when I heard him shouting to me. He was standing on the other side of the avenue near a lightpost, hands cupped to his mouth and the radio tucked into his armpit, calling to me, his bulky figure vanishing and reappearing, a slide presentation, as the cars and buses passed between us.
    “It’s on the way,” he shouted. “They just announced it. It’s heading this way. We should get it any minute. Three inches by midnight. All motorists are warned to keep off emergency routes. The mayor says don’t drive unless it’s absolutely necessary. It’ll be here any minute. Three to four inches. Snow! Snow! Snow!”
    Zack’s was an unusual place. Only on rare occasions were any of the local anomalies present—Zoroastrians, Zen cowboys, soothsayers and the like, or lost children looking for Ames, Iowa—and they never seemed to stay very long. It didn’t draw any of the area’s ethnic or subculture groups and it certainly wasn’t vibrating with laughter and political talk, that graduate school atmosphere of elbowing jocularity. Zack’s was one of the quietest places in New York. Most of the regular customers appeared to be crazy. They just sat and drank, mumbling to themselves. Every so often one of them would sing a totally incoherent song, a private hash of lullaby and talking blues, the kind of song heard nowhere else except on a subway at three in the morning. The place scared me a little.
    Pike was sitting at his unofficially reserved table with a young girl I had never seen before. Pike was close to sixty. His full name was Jack Wilson Pike and he called everybody Jack. He had fine blue eyes, a disappearing chest and the leisurely belly customary in a man his age. I had met him through Sullivan, who once said that he was as American as a slice of apple pie with a fly defecating on it. She also said he had saved her life once, though she didn’t state the circumstances. The girl wore an old chapped leather windbreaker which I recognized as Pike’s, his aviator raiment.
    “How do you like my waif?” he said.
    The girl hit him on the shoulder.
    “He says I’m his waif. He’s an Air Force colonel and I’m the waif he like rescued from a burning building. The one his own planes bombed. We haven’t come to the part of why he was hanging around in the streets while his own planes were dropping bombs.”
    “I was a spy,” Pike said. “I was an advance man. I parachuted in at dawn so I could set up the bombing coordinates. They dropped me in with nothing but a shortwave set and a bowie knife. No guns, they told me. A single shot and the whole countryside would be alive with troops. If you have to kill, they told me, use the knife. It’s quick and it’s quiet.”
    She gave him a backhand to the ribs. Pike asked me what I wanted to drink. He seemed drunk himself, or well on the way, and in an hour or so his head would tumble to his chest, and his entire upper body, with the sad and ponderous majesty of a dynamited mountainside, would pitch toward the table. He returned from the bar with two drinks.
    “I have news,” I said.
    “The lady told me.”
    “What do you think?”
    “Drop me off at Miami Beach.”
    “Due west, Pike. Into the great white maw.”
    “The great white

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