Americana

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Book: Americana by Don DeLillo Read Free Book Online
Authors: Don DeLillo
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me:
    “What runs faster, a greyhound or a cheetah?”
    “I don’t know. I have no idea.”
    “Think about it. There’s no hurry. Take your time. Greyhound or cheetah?”
    “I’ll have to guess,” I said.
    “If that’s the best you can do.”
    “I say a greyhound runs faster.”
    He hit the table and gazed off into the wings, a look of ineffable disgust on his face.
    “Tell him, cootie.”
    “A cheetah,” she said.
    “How do you know?”
    “Cheetah goes seventy miles per,” Pike said.
    “How do you know how fast a greyhound goes?”
    “No living thing, man or beast, can top seventy. Cheetah’s the only one. Cheetah goes like the wind.”
    “Have they ever been matched in a race?”
    “Greyhound’s never been clocked above thirty-six. Why, a gazelle could trounce a greyhound. I can name any number of animals prepared to demolish the famous greyhound. Gazelle. Pronghorn antelope. Jackrabbit. Any number. Damn but you’re stupid.”
    Pike was fascinated by animals. He liked to promote theoretical races, fights and tests of strength. His facts were often shaky but his convictions were deep and abiding. Nobody who tried to dispute the result of one of his epochal races or snarling culture-circled battles ever got very far. Pike would present a series of what he referred to as verifiable facts and documentations. His face would tense with rage and pain as he tried to demonstrate the obvious truth to his opponent. I don’t know what theme he had found in the animal world that moved him to such emotion, maybe just innocence, the child’s, the old man’s enchantment with an undefiled life and the purest of deaths. Pike was a living schizogram, as were Sullivan, and Bobby Brand, whom I have yet to introduce, and my father and departed mother, and perhaps myself. He was almost gone now. His voice was thick and seemed to overlap itself, words sticking to his tongue. He lit one cigarette while another still burned in the ashtray. Soon I would learn what I could about his teen queen, the abstract cartoon he had rescued from footsteps and rain.
    “Why is it you keep your hands under the table all the time?” I said. “You bring them up only to give Pike one of those tender clouts. Then down they go again. What’s under the table that’s so interesting?”
    “Dorothy Lamour and the squid people.”
    Pike snorted and softly collapsed. I went to the bar and ordered another drink for myself. Zack put down his newspaper and removed the thick spectacles he wore. He pouredthe drink, then lifted the wet five, sponged down the bar, gave me change and went to sit in a folding chair beneath an overexposed photo of a bridegroom and best man outside the St. George Hotel in Brooklyn.
    “What’s that?” she said.
    “Scotch.”
    “It’s real neat to watch. The ice shines and there’s like things going off. Little explosions all over.”
    “Why do you want to live in a greenhouse?”
    “I want to live in a big wet greenhouse with hair growing in it. There’d be like doll’s hair and doggy hair growing in all the pots. That would be neat. And anybody who wanted to be there could be there. John and Paul and Mick and the Doors and the Airplane and Bobby and Buffy. We’d all smoke and there’d be lots of audio-visual hardware. Then we would all eat hot fudge sundaes. That would be the neatest thing in the whole world.”
    “How did you meet Pike?”
    “I was at Elephantiasis with a boy from NYU. The vibrations were bad. I was stoned on hash and I weighed about a zillion pounds. It was like being in the back of the blue bus. Then dada came over and bought this boy about a dozen drinks and he went to the toilet and never came out. Then dada took me to his room and we ate a whole Sara Lee chocolate cake and drank a big thing of milk. It was wild.”
    “My name isn’t Jack, by the way. Not that I mind being called Jack. In a way I like it. It’s like some wonderful Far Eastern theology where all the minor deities have

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