Alyx - Joanna Russ

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of the fingers of her free hand on the back of the fat man’s neck, guiding him with the faintest of touches through the turns of the corridor. They crossed an empty space where two halls met; they retreated noiselessly into a room where a sleeper lay breathing against a dimly lit window, while someone passed in the corridor outside. When the steps faltered for a moment, the fat man gasped and Alyx wrung his wrist, hard. There was a cough from the corridor, the sleeper in the room stirred and murmured, and the steps passed on. They crept back to the hall. Then he told her where he wanted to go.
    “What!” She had pulled away, astonished, with a reckless hiss of indrawn breath. Methodically he began poking her in the side and giving her little pushes with his other hand—she moving away, outraged—but all in silence. In the distant reaches of the building something fell—or someone spoke—and without thinking, they waited silently until the sounds had faded away. He resumed his continual prodding. Alyx, her teeth on edge, began to creep forward, passing a cat that sat outlined in the vague light from a window, perfectly unconcerned with them and rubbing its paws against its face, past a door whose cracks shone yellow, past ghostly staircases that opened up in vast wells of darkness, breathing a faint, far updraft, their steps rustling and creaking. They were approaching the governor’s nursery. The fat man watched without any visible horror—or any interest, for that matter—while Alyx disarmed the first guard, stalking him as if he were a sparrow, then the one strong pressure on the blood vessel at the back of the neck (all with no noise except the man’s own breathing; she was quiet as a shadow). Now he was trussed up, conscious and glaring, quite unable to move. The second guard was asleep in his chair. The third Alyx decoyed out the anteroom by a thrown pebble (she had picked up several in the street). She was three motionless feet away from him as he stooped to examine it; he never straightened up. The fourth guard (he was in the anteroom, in a feeble glow that stole through the hangings of the nursey beyond) turned to greet his friend—or so thought—and then Alyx judged she could risk a little speech. She said thoughtfully, in a low voice, “That’s dangerous, on the back of the head.”
    “Don’t let it bother you,” said the fat man. Through the parting of the hangings they could see the nurse, asleep on her couch with her arms bare and their golden circlets gleaming in the lamplight, the black slave in a profound huddle of darkness at the farther door, and a shining, tented basket—the royal baby’s royal house. The baby was asleep. Alyx stepped inside—motioning the fat man away from the lamp—and picked the governor’s daughter out of her gilt cradle. She went round the apartment with the baby in one arm, bolting both doors and closing the hangings, draping the fat man in a guard’s cloak and turning down the lamp so that a bare glimmer of light reached the farthest walls.
    “Now you’ve seen it,” she said, “shall we go?”
    He shook his head. He was watching her curiously, his head tilted to one side. He smiled at her. The baby woke up and began to chuckle at finding herself carried about; she grabbed at Alyx’s mouth and jumped up and down, bending in the middle like a sort of pocket-compass or enthusiastic spring. The woman lifted her head to avoid the baby’s fingers and began to soothe her, rocking her in her arms. “Good Lord, she’s cross-eyed,” said Alyx. The nurse and her slave slept on, wrapped in the profoundest unconsciousness. Humming a little, soft tune to the governor’s daughter, Alyx walked her about the room, humming and rocking, rocking and humming, until the baby yawned.
    “Better go,” said Alyx.
    “No,” said the fat man.
    “Better,” said Alyx again. “One cry and the nurse—”
    “Kill the nurse,” said the fat man.
    “The slave—”
    “He’s

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