Read Online Across by Peter Handke - Free Book Online

gloves as with puppets. Punch and Judy teetered, jumped up, collapsed, flailed out at each other, and hugged, keeping up a dialogue all the while. A spotted cat came running after the jogger, pursued by a single tiny beech leaf scurrying over the ground.
    When I stood up, I was so unexpectedly tired that I could hardly move. It wasn’t far to my card game (wasn’t I hours late already?), but I’d never get there. Something drew me off the road, into a nook to sleep in. When at last I moved, it was blindly, with my eyes shut. I didn’t even look when something came panting up behind me (a group of joggers). Blindly I groped my way over the meandering road, as though following the canal down below. When my eyes finally opened, what they saw, looking extraordinarily substantial, were a street sweeper’s twig broom leaning against a gravel box and, as though lit by the brightest sun, the white, granular wall with its lighted windows. “Here I am.” Who said that to whom?
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    The other card players were a priest, a young politician, a painter, and the master of the house. They were sitting in the library, a room almost bare except for books. The knotholes in the wide floorboards seemed at first sight to move in the cigar smoke. The legs of the
light maplewood table, as the priest explained in the pause produced by my arrival, formed a St. Andrew’s cross, so called after the apostle Andrew, who had suffered martyrdom on an X-shaped cross. The name Andreas—which happens to be mine—aroused laughter and led quite naturally to my joining in the game. As if I hadn’t been late at all, I sat at the table, fanning out my cards.
    Before that, I had stood a while on the threshold of the house. This threshold consisted of round stakes of varying thicknesses, each with its specific annual rings, pounded up to their heads into the ground, the whole giving the impression of interlocking wheels, or rather, because of the radial cracks in the wood, of juxtaposed sun disks, framed on the right and left by the dark green lanceolate tips of oleander bushes. Threshold and oleander were lit by a spotlight affixed to the lintel, as an indication that this was the scene of the card game. “Threshold, play on,” read the old-fashioned writing on the door. And: “Card game, lead us.”
    A few of the painter’s pictures hung on the window-side wall, where there were no books. Unframed and unglassed, they seemed to be emanations of the wall itself. A rust-brown, a saltpeter-gray, a mold-silver, a brick-red, a resin-yellow. Unlike other pictures, they did not draw the eye to a point but merely reflected colors. These, said the painter, “should be as luminous as the colors in a stained-glass window; that is my ideal.” Though he had lived in the city a long time, he was the stranger to the group. His eyes were invisible, so deeply embedded that their sockets rather resembled the eye-holes
in a mask. Sometimes his voice was like that of a child, soft and matter-of-fact; and he never had to clear his throat before starting to speak. He kept holding up the game by discovering in each card dealt him a certain color providing the basis for a lengthy discussion. (Or he would bend down to the carpet and appear to be rubbing its wine red and cobalt blue into his face as a kind of war paint.) He was so short that his head barely rose above the edge of the table. He always stood up to deal. His tricks had to be pushed over to him.
    The stairwell had smelled of apples, as strongly as a fruit cellar. The aroma was lost in the room where we were playing but became all the more pungent if one stepped outside. At times, moreover, one caught a whiff, though through a barrier of baffling admixtures, of spices from the food simmering in the kitchen below, to which our host turned his attention whenever he was out of the game: thyme? savory? cinnamon? Once, when the window was opened for a moment,