the background of these dreams, she could not disguise from herself, lurked a man. He was shadowy, but extremely satisfactory, and he was not Martin.
Then she became pregnant. She liked it. She was full of energy and aroused everyoneâs admiration. In their large circle of young couples, some had babies â almost all had dogs â and their mutual stage of marriedness was this possession of a first baby. Alice made no fuss about anything and bore Natasha with ease. Both mother and baby seemed instinctively to know how to handle one another, and Martin, who was not required by Alice to help with nappy-changing or midnight feeds, was deeply envied by colleagues whose wives had pointed out to them that the baby, with all its attendant troublesomeness, was half theirs.
Of course, with Natasha, she could not go so freely and frequently to Dummeridge. So she telephoned, every few days, and once a month Cecily came up to Wilton with armfuls of bounty from the garden and stayed in the third tiny bedroom, and was pleased with everything and enchanted by her granddaughter. She even sang to Natasha sometimes, and Alice and Martin exchanged slightly conspiratorial smiles of accomplishment and pleasure. Aliceâs friends adored her. They would all pour in for coffee or for lunch round the kitchen table, clutching their babies and their toddlers, if they knew Cecily was there. At Christmas, they gave their mothers copies of Cecilyâs book which they brought proudly for her to autograph.
It was then that Alice met Alex Murray-French. Alexâs father John lived at The Grey House in Pitcombe, a much admired village where all Aliceâs friends aspired, without much hope, to live. Alexâs parents had divorced when he was eight, but The Grey House had been his childhood home, and he chose to return to it a good deal rather than go out to Australia with his mother and stepfather. On one of his visits to his father, he saw a painting of Aliceâs, a painting she had done for a mutual friend, of a flight of stone steps leading up to an archway and a tangle of creeper. He thought he would like such a painting to send to his mother in Australia, and so he drove to Apple Tree Cottage one afternoon, on the off-chance, and found Alice on the doorstep stripping currants with her baby asleep in a basket beside her under a patchwork quilt.
Alex fell in love as suddenly as Martin had done four years before. Alice did not fall back, but she felt she would very much have liked to. He was eager and sympathetic and cultivated. He came constantly, all that autumn, on the pretext of his motherâs painting, and Alice basked in his longing and admiration like a cat in the sun. She never flirted with him and he never even tried to kiss her. He told her most eloquently of his feelings, and although she liked to hear him he did not strike an answering chord in her. In the end Martin grew suspicious and angry and Alex took his picture and himself away and left Alice with a real emptiness, a bigger one than she felt was in the least fair.
Martin watched her for a long time after this.
âThere was nothing in it,â Alice would say. âHe had a crush on me and I didnât have one back. I liked talking to him, thatâs all.â
Martin knew that, but he still felt sulky about it. He believed her and yet he felt at the same time that that part of her, that differentness in her, that had made him want her so much, was becoming elusive, that he couldnât catch it any more. Instead of feeling that life with her was a lovely chase, he began to feel that she was keeping something back. But because he could not, by temperament, speak of it, he watched her instead, and this made her cross.
Her second pregnancy was quite unlike the first. She felt sick, she was sick, and many days she was so tired that from the moment she dragged herself out of bed in the morning, she was obsessed, all day, with the prospect of getting
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