good-bye to Violet and stepped out into a long, empty hallway The hallway was lined with numbered doors, odd numbers on one side and even numbers on the other, and large ornamental vases, too large to hold flowers and too small to hold spies. On the floor was a smooth, gray carpet that muffled each of the middle Baudelaire's uncertain steps. Although Klaus had never set foot in the Hotel Denouement before today, walking down the hallway gave him a familiar feeling. It was the feeling he had whenever he entered a library with an important problem to solve, suspecting that somewhere within the library's collection of books was the perfect answer to whatever question was foremost on his mind. He had this feeling when he and his siblings were living just off Lousy Lane, and he solved the murder of Uncle Monty with crucial information he discovered in a herpetological library. He had this feeling when he and his siblings were deep in the ocean, and he managed to dilute the poison infecting Sunny by finding a significant fact in a mycological library belonging to Fiona, a young woman who had broken Klaus's heart. And as he stood in the hallway, gazing at all of the numbered doors that stretched out as far as his eyes could see, Klaus Baudelaire had the feeling again. Hidden somewhere in this hotel, he was sure, was something or someone that could answer all the Baudelaires' questions, solve all of the Baudelaires' mysteries, and put an end at last to all the Baudelaires' woes. It was as if he could hear this answer calling to him, like a baby crying at the bottom of a damp well, or an alarm clock ringing underneath a heap of damp blankets. Without a catalog, however, Klaus had no idea where such a solution might be, so he made his way toward his concierge errand in Room 674, hoping that whatever he would observe as a flaneur might bring him closer to unraveling the Baudelaires' list of misfortunes. When he stopped in front of the numbered door, however, it appeared that he was only adding another misfortune to this woeful list. Smoke was pouring out of the gap between the door and the floor, spreading out across the hallway like a sinister stain. "Hello?" Klaus called, knocking on the door. "Hello yourself," called back a voice that sounded slightly familiar and utterly unconcerned. "Are you one of those concertinas?" "I'm a concierge," Klaus said, not bothering to explain that a concertina is a kind of accordion. "Can I be of assistance?" "Of course you can be of assistance!" the voice called back. "That's why I rang for you! Enter at once!" Klaus, of course, did not want to enter a room that was filled with smoke, but working, even for the purposes of secretly observing the mysteries of a hotel, usually means doing things you do not want to do, so the middle Baudelaire opened the door, releasing an enormous amount of smoke into the hallway, and took a few hesitant steps into the room. Through the smoke he could see a short figure, dressed in a suit of shiny green cloth, standing at the far end of the room, facing the window. Behind his back he held a cigar that was clearly responsible for all the smoke wafting past Klaus into the hallway. But Klaus did not care about the smoke. He hardly even noticed it. He merely stared in dismay at the person standing at the window, a person he had hoped he would never see again. You have probably heard the tiresome expression "It's a small world," which people use to explain a coincidence. For instance, if you walk into an Italian restaurant and encounter a waiter you recognize, the waiter might cry, "It's a small world!" as if it were unavoidable that the two of you would be at the same restaurant at the same time. But if you've ever taken even the shortest of walks, you know the truth of the matter. It is not a small world. It is a large world, and there are Italian restaurants sprinkled all over it, employing waiters who have crucial messages for you and waiters who are trying to
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