A Mysterious Affair of Style

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Authors: Gilbert Adair
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performed every dry Sabbath, that the doorbell rang and he discovered, standing on his doorstep, Evadne Mount.
    He had spent those five weeks much as he had spent the preceding five years. He had read his
Daily Sentinel,
pottered in his garden, drank his daily pint at his local before returning home to his solitary supper. And, every evening, on his way to and from that local, rain and shine alike, he had walked his imaginary dog.
    It should be understood, though, that if the dog was imaginary it wasn’t because the former detective had reverted to a state of infantile senility in which he’d started consorting all over again, as in childhood, with a companion who lived exclusively inside his head. It was simply because, when Tobermory had died on Dartmoor, he couldn’t bring himself to replace him.
    Tobermory had been his excuse – his alibi, as he affectedto call it – for the constitutional he took virtually every evening and his death hadn’t struck him as a good enough reason for giving it up. The passing of his wife, with whom he’d shared his entire adult existence, had already familiarised him with the mildly throbbing, toothachy pain of solitude, never quite intolerable but never, ever fading away altogether. Fond of Tobermory as he had been, he was not prepared to be made twice the grieving widower. He had taken his walks before ever acquiring Tober and he refused to discontinue them now. His sole concession to a dog-lover’s sentimentality was that, as before the Labrador’s killing, he would absent-mindedly pick up its lead from off the hallway table and swing it along with him on his walk, like a soft, rubbery cane. Yet even that habit really couldn’t be put down to sentimentality. He had swung Tobermory’s lead in such a fashion for so many years now, he just wouldn’t have felt right, dog or no dog, without it.
    For a few days into the five weeks he had scoured his newspaper in the hope of gaining further information concerning the blaze at Alastair Farjeon’s villa. Once or twice he’d even bought a couple of rival rags as well, his interest in the case being, of course, all the greater in that the investigating officer was his own former protégé, Tom Calvert.
    But there was less about Farjeon’s tragically premature death than he might have expected from Cora Rutherford’s effusions. Film directors, geniuses as they may be in the eyesof those who do their bidding, are of significantly less concern to the great unwashed. As for the woman in the case, Patsy Sloots, yes, she was apparently blessed with ‘oodles of S.A.’ (whatever that was) but, he also surmised, she hadn’t been so much of a star as what is termed a starlet, one of Farjeon’s innumerable ‘discoveries’.
    From the scant evidence that could still be sifted through the ashes of the conflagration, it seemed that Mr Farjeon and Miss Sloots had been alone in the villa. And though nothing any longer could be ascertained with assurance, it was now pretty obvious that the fire had been started by a cigarette which one or other of the victims – both of whom had now been positively identified by their next of kin – had either dropped onto the floor, while it was still not properly stubbed-out, or else which had been so casually finger-flicked that it ended up missing the fireplace that would have been its target. Whichever it was, the cigarette had almost certainly rolled across the polished parquet flooring and brushed against the lace curtains of the living-room’s big bay window. These curtains would have caught fire at once, the flames immediately spreading to the gauzy chiffon ‘exclusive’, as wispy as a cobweb, which Miss Sloots had been photographed wearing when she was picked up earlier that same day by Farjeon in his silver Rolls-Royce. Most probably, too, in attempting to rescue her, the film director himself had been engulfed.
    There was, in short, precious little to go on, but it hadclearly been nothing other

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