could bring up.â
âIs it good? I got cash.â
âIt tastes like stew.â
âI donât want to miss what happens here. The guy who was Freddie in Nightmare on Elm Street is this crazy mayor. You ever seen this thing?â
âI think I have.â
âHeâs wearing some kind of sash.â
âWhy donât I bring you by a bowl in a few minutes? Thereâs no charge.â
âI appreciate that. I got plenty of cash, but I sure like to hang on to it. I like to keep it right here with me.â
Mayor Cabrera saw the commercials ending and then the man told him as much. They got off the phone. Mayor Cabrera opened a cabinet andbegan hunting for some plastic bowls, wishing he hadnât mentioned the stew, feeling suddenly uncharitable, feeling that every little thing he did every day of his life he did out of some pathetic idea of professionalism. He did what people asked because it was easier than thinking about what he really ought to be doing. He served and served.
CECELIA
For days the sky had looked like rain, but only this morning had it begun grumbling. Cecelia and her mother were in the living room, the windows open, the TV on.
âDriving the birds crazy,â Ceceliaâs mother said. Her wheelchair was positioned in a way that allowed her to look through the kitchen and out the back screen door, toward her chickens. She didnât need the wheelchair. It had once been her sisterâs, Ceceliaâs Aunt Tamâs, in the months before sheâd died. Ceceliaâs mother had taken it out of the hall closet where it had been folded quietly for ages and had opened it up and polished the hardware and buffed the leather. That was all fine, but when she was done she hadnât put the chair back in the closet. Sheâd started sitting in it now and then, to watch TV, and in time it became the only chair sheâd use. The husband Ceceliaâs Aunt Tam had left behind still lived in Lofte. He was the mayor, in fact. He and Ceceliaâs mother had once been thick as thieves, but now they rarely spoke.
âYou ever think of getting a dog?â Cecelia said. She didnât say, Like a normal person .
Her mother made a face. âThey kill little critters and leave the carcasses on your porch.â
âBecause they want to impress you and show gratitude.â
âWith a dead chipmunk?â
Cecelia knew why her mother couldnât get a dog. A dog was an actual personality to engage; the chickens were merely a presence, something other than nothing. They generated a busy, low warbling that sounded like far-off weather.
âCan I make you breakfast?â Cecelia asked.
Her mother again made a face.
âHow about oatmeal?â Cecelia started to get up.
âNot yet,â Ceceliaâs mother said. âIâll have something at lunchtime.â
âIâll make you a bowl and if you donât like it weâll throw it out.â
Lately Ceceliaâs mother barely ate. Cecelia saw her pick at dry cereal, but no real food. Her motherâs loss of appetite seemed planned. It was too abrupt, like she was making a statement.
A woman on TV laughed. The Home Shopping Network. The woman was brushing a cat. She had a big wad of fur in her hand, and was proud of it.
âWhat class you got today?â Ceceliaâs mother asked.
âPoetry.â
Ceceliaâs mother raised an eyebrow. âDid they tell you the secret yet?â
âWhat secret?â
âOf how to write poetry. Thereâs a secret to everything, you know. They donât want you to think so, but there is. Thereâs a trick.â Ceceliaâs mother held still, looking upward. Cecelia thought she was thinking about artists and their esoteric know-how until she clicked her cheek and said, âTheyâre not making a peep.â The chickens.
âI took the class so I could write good song lyrics,â Cecelia offered. She
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