2007 - Two Caravans

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Authors: Marina Lewycka
concentrating on the pleasurable sensation of aiming a warm torrent of piss at a stubborn nettle growing out of the hedge. It wavers under the stream, but bounces back. He takes aim and hits it again. It bends but doesn’t break. Its sharp leaves glisten cheekily as he zips up his fly. I’ll be back to get you later, he promises the dogged little plant.
    As he returns towards the caravan in the fading illusory dusk, his eyes light on a vision of incredible beauty. Is he drunk or dreaming? Generously proportioned, sensuously curved, beautiful yet mysterious, ferocious yet pliant, monstrous yet perfectly crafted. He stretches out his hand, his fingers trembling to touch. Yes, she is real. He strokes the gleaming body of black and chrome. He walks around her. Yes, from every angle, she is perfect.
    And inside? He tries the passenger door. It is not locked. He climbs in, clambers across to the driver’s seat, sinks into the soft but firm tobacco-fragrant leather. What height. What power. He fondles the leather-cased steering wheel. He runs his hands over the dashboard. What an array of controls. He depresses the clutch. He shifts through all the gears. The transmission glides like butter. He tries out the brake and accelerator pedals. They are firm but yielding. He searches for the ignition key. It is not there. He tries the glove compartment. He feels inside. Something is there—something bulky and cold. Not keys. A gun. Devil’s bum!
    He takes it out, holds it, turns it over in his hands. His fingers close around it. Its menace is palpable. He opens it up—why are there only five bullets in the barrel? What happened to the sixth? Not quite knowing why, he takes the gun and slips it into the pocket of his trousers. The weight pulls against his belt. He likes the feeling of its presence, close to him but out of sight. He climbs down from the vehicle and quietly closes the door.
    By the time he gets back to the bonfire, he finds that all the women have gone inside. Emanuel is asleep. Vitaly has disappeared. Tomasz is still singing sadly to himself. He decides to have one more go at that wretched nettle before turning in for the night. He is standing in the shadow between the hedge and the men’s caravan when he sees the owner of the black four-by-four come down the field and climb into the driver’s seat. Even in the dusky light, Andriy can see that he is an unprepossessing man. What a waste. And then there’s the little matter of the gun—what does he need a gun for?
    The events that follow take place so quickly, and in such a confusion of dazzle and darkness and too much lager, that afterwards, he is never quite sure exactly what happened.
    Just as the twilight swallows up the tail-lights of the four-by-four, the sound of another engine rips through the stillness of the valley. At first he thinks it is the farmer’s Land Rover running rough, but the sound is louder, deeper, with an exciting throbbing under-beat. He steps out, hoping to catch a glimpse as it races by. But the engine stops at the gate, the gate swings open, and in roars the red Ferrari, hood down, headlights blazing. He feels his head start to spin. Twice in one night. This must be a dream. And then out of the Ferrari steps the blonde.
    She is perhaps more mature than he imagined, but the confusing light can play all sorts of tricks. She is tall, too, taller than him, with blond hair pinned in an untidy nest on top of her head. She is wearing tight white trousers that catch the dazzle of the headlights, revealing a shape that is not as shapely as he dreamed, maybe more sedan model, but still definitely the blonde blue-eyed Angliska rosa . She steps forward without noticing him lurking by the caravan, and strides up into the field.
    “Lawrence!” she shouts, in a voice that is sharp and resonant with fury. “Lawrence, where are you? Come here, you bastard!”
    Her words echo around the valley, and are met with silence.
    Despite his initial

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