night.
There wasn’t a whole lot of point standing here in sleep shorts thinking about it. He decided to go down for a glass of juice. On the way downstairs, barefoot in a sleeping house, he had an idea. A good one, actually. When you couldn’t do anything about the strange, hard things, you did what you could in other ways.
He had warned Melanie, after all.
She, the ever-efficient one, had rigged up a multicharger station for all the mobile phones on the sideboard in the dining room. She had even been helpful enough to label everyone’s slot. In green ink.
It was almost too easy.
Working quickly through the options on each phone, Ned cheerfully changed Greg’s ring to the theme from “SpongeBob SquarePants,” and showed no mercy for Steve, innocent bystander though he might have been, rejigging his cell to play “The Teletubbies Song.” He left his father’s alone.
Then he took his time, scrolling thoughtfully through the choices on Melanie’s phone a couple of times before deciding.
Afterwards, pleased with himself and his contribution to justice in the world, he went and got his juice from the kitchen. He took it out on the terrace, standing shirtless in the night. It was cold now. His mother would have made him get a shirt or a robe if she’d been up. If she’d been here.
He tried, one more time, to see if he could find something within himself, feel attuned to anything. Nothing there. He looked out across the landscape and saw only night: pool and woods and grass to the south under stars. A low moon west. He heard an owl behind him. There were trees all around the villa, plenty of room for nests, and hunting.
As it happens, he is being watched.
In the small stand of trees beside the lavender bushes, the figure observing him has long ago learned how to keep from being sensed in any of the ways Ned Marriner might know or discover by searching inside himself.
Certain skills and knowledge are part of his heritage. Others have taken time and considerable effort. He has had time, and has never been fazed by difficulty.
He’d seen the boy appear at the open window upstairs, and then, a little later, watched him come outside, half naked, vulnerable and alone. The observingfigure is amused by this, by almost all that has happened today, but he does think about killing him.
It is almost too easy.
Because of the day that is coming he holds himself in check. If you are in the midst of shaping something urgently awaited, you do not give way to impulses like this, however satisfying they might be. He is impulsive by nature, but hardly a fool. He has lived too long for that.
The boy, he has decided, is random, trivial, an accident, not anyone or anything that matters. And it is not a good idea to cause any disturbance now, among either the living or the spirits, some of them already beginning to stir. He knows about the spirits. He is waiting for them, diverting himself as best he can while he does so.
He lets the boy go back inside, alive and inconsequential.
The impulse to kill is still strong, however. He recognizes it, knows why it is building. When that desire comes, it is difficult to put away unslaked. He has found that to be so over time and is disinclined to deny himself.
He changes again—the skill he took so long in mastering—and goes hunting. Moonlight briefly finds his wings in flight, then they are lost again, entering the woods.
CHAPTER IV
W hen Ned came down to the kitchen in the morning, bleary-eyed from his disrupted sleep, the others had already gone into town. Second work session at the cathedral. There was a note from Melanie that said they’d be back by lunchtime. He’d neglected to put on a shirt and Veraclean, in the adjacent laundry room, smiled at him before pointedly glancing away. He’d forgotten about her. He quickly drank some orange juice and went back upstairs to dress.
Then he phoned Melanie.
Three rings.
“Yes?” A really frosty tone for one word, he thought.
Michael Dibdin
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LISA CHILDS
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