Writing Is My Drink

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Authors: Theo Pauline Nestor
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eradicate all memory of her
    from the minds of my fellow faculty. But stil , I feared her com-
    ing departure; once she was gone, my isolation would know no
    bounds.
    We had lunch together at a café in Pioneer Square a few
    days before she left. She spoke with wild excitement about Jean
    Piaget, schema theory, and Howard Gardner’s theory of multiple
    intelligences as if all this were the stuff I lived and breathed. Apparently, all these things held the secret underpinnings to my
    nemesis: the Success Skil s course.
    “Hold on, let me get this down,” I said, digging through my
    purse for paper.
    “Don’t worry about it,” she said, her mouth half full of salad,
    waving away my search for paper with her free hand. “It’s all on
    the notecards.”
    “Notecards?” I asked, hope rising in me for the first time in
    days.
    “Notecards,” she said with a wink. “It’s all in the cards, my
    friend. No worries.”
    The day after B. left for Stanford, I tracked down the file with
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    6/7/13 8:19 AM
    T h e o P a u l i n e N e s t o r
    the note cards. For each of the Success Skil s lectures there was
    a stack of about ten note cards paper-clipped together. I started
    with the one for Class Three: How We Learn. “In Piaget’s schema
    theory,” the card read, “he asserted that our brains are like filing cabinets.” Okay, I thought, fair enough. The next card read, “For
    each topic, we own a folder, which may be very thin or quite
    full.”
    The cards lacked the promise of revealing the mystery of
    Success Skil s I’d hope they’d deliver. But I was also tired of
    being afraid, of thinking about the dreaded class, of preparing
    for something I didn’t truly know how to prepare for. I’d read the
    corresponding chapters in Pauk and Owens’s book How to Study
    in Col ege ; bring the cards and it would work out, right? B. had done it, hadn’t she?
    I overlooked the fact that B. had created these notes based
    on her own knowledge, which was immense. Each of the mi-
    nuscule notations on each individual card pointed to a large file
    in her brain that she would download when prompted by each
    tiny note. I had no such files in my brain. I had only the tiny note pointing to my vast ignorance of how we learn and many other
    subjects.
    Enrollment in the Success Skil s class was mandatory for
    students participating in a certain scholarship-generating grant
    program. No typical college student would take such a course
    otherwise. My first quarter of Success Skil s was taught in an au-
    ditorium of seventy-seven freshmen in which I couldn’t make out
    the faces in the darkness of the top rows. I’d never taught a class in my life, let alone a group of seventy-seven freshman. When
    the fated day arrived, I stumbled into the first class, blinded by
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    6/7/13 8:19 AM
    W r i t i n g i s M y D r i n k
    the bright stage lights. I focused on the people in the first three rows. I began my rambling Welcome to the Class! speech, never
    letting my eyes stray above the third row. I’d never taught a class in my life, but to let that on would guarantee a bloodbath. All
    power would instantly be transferred to the sharks; I’d be de-
    stroyed.
    The class met twice a week for ten weeks, and I got through
    each class, but just barely. I clung to the note cards and made up
    all sorts of stuff, to the point where I thought I might be arrested and run out of town. I made a lot of jokes and, frankly, the class
    was easy, so most of the students liked me well enough. But I
    knew the class wasn’t good . Then it came: course evaluation day.
    Let me pause for a moment and say this: Yes, in most jobs,
    one is evaluated, but there is only one job in which one is evalu-
    ated anonymously by a group in which the median age is 18.75
    years.
    The evaluations came back to me a few weeks later, and it
    was quickly clear that this wasn’t the most discerning

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