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rate of interest Cynthia repays on her loan, the process of insuring one’s life, the cost of drainage works, the worth of legacies, the entailment of land, and so on. The value natural history places on the observation of “everydayness” is like the knowledge that Gaskell herself is pursuing in trying to capture the details of the country around Hollingford, both social and natural. In this way, you might think of Wives and Daughters as a natural history of a society—not only which species inhabit it, but how the ecosystem works.
It is from this perspective that one should understand the specific references to the scientific debates Roger enters into when he publishes a paper in response to debates circulating in French scientific circles. As a result of the paper, he is invited by Lord Hollingford to attend a dinner for scientists at which the guests wish to “meet the author of the paper which had already attracted the attention of the French comparative anatomists” (p. 300). The French comparative anatomists that the novel refers to by name—Georges Cuvier, Etienne Geoffroy Saint-Hilaire, and Jean-Baptiste Lamarck—are the central scientific figures of the early nineteenth century whose debates and early discoveries contributed to the emergence of evolutionary theory ; Darwin himself cited Saint-Hilaire’s realizations about the homologies among species as important to his understanding of evolutionary relationships. The novel thus means us to understand that Roger is working at the cutting edge of the emerging field of evolutionary theory, especially because he is interested in “comparative osteology,” which as a forerunner of evolutionary theory was concerned with the likenesses and dissimilarities among various species (especially apes and humans). Roger, clearly the novel’s ideal of a man, is thus engaged in pursuits that require observation of homely everyday natural objects as well as theoretical pursuits that are attempting to answer the most profound questions about the relationships among species and the origin of humans. It is hard to dismiss these references to natural history as inconsequential—mere attempts to add verisimilitude to the narrative—not least because the references are so many and so detailed.
How might we understand, then, these references to contemporary science? Perhaps one way of understanding their place in Gaskell’s “every-day story” is to think about the status of natural history in the novel. A quick catalog of the various characters shows that the characters who are depicted as either most educated or most admirable are also interested in one way or another in the natural world: Lord Hollingford sponsors scientific endeavors; Roger Hamley is a naturalist, while Molly reads Le Règne Animal, happily receives wasps’ nests as gifts, and scours Roger’s letters from Africa for details about his discoveries (as well as his well-being); Squire Hamley is an untutored observer of nature, while Dr. Gibson appreciates nature’s details from his horse; and Lady Harriet peppers her speech with analogies drawn from nature, while her sister Lady Agnes is an amateur botanist. In contrast, Cynthia is bored by Roger’s naturalist discussions and fails to appreciate the floral language implicit in a bouquet gathered for her, while Mrs. Gibson—otherwise a sharp reader of social hierarchies and distinctions—is unimpressed by Roger’s fame on the London scientific stage. The novel seems to employ natural history as a short-hand for distinction of person, whether that be class, education, or morality. For instance, Cynthia’s lack of feeling is shown when she fails to attend a meeting, while in London, of the Geographical Society, at which a letter from Roger is to be read aloud to the public (women included). In contrast, Molly somehow naturally embodies a kind of distinction that Cynthia lacks.
Lady Harriet, the novel’s shrewdest observer, distinguishes Molly early
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