the table for now, and weâll see what they come back with.â
âI wonder if Iâll know when to stop touring or recording or even singing in the shower. Donât you wonder if youâll know when to let go for good?â
âSometimes.â He sounded like he was trying to be agreeable.
âIâm serious, Donny. When will you have another chance to watch the sun rise with a cup of coffee in your hands and nowhere you have to be right away?â
âCould you be happy without performing? Because it jacks you up. Every time. You fly high for hours afterward.â
âBut I donât want this to become an addiction, you know? I already have a recurring nightmare. Iâm in the audience at a stadium in some city or another, and Iâm sitting in a wheelchair down at the front because Iâm so old Iâve forgotten how to walk. But that doesnât seem to matter because Iâm still trying to find a way to get up on the stage and perform.â
âYouâre making that up.â
âI wish.â I smiled a little. âWell, okay, maybe. But the scenarioâs in my thoughts a lot. Iâm forty-two, on my way to a facelift, and sure, lots of people older than me continue to do extravagant world tours. The Stones and the Beach Boys are going to die onstage, and maybe Cher. But I paid close attention last time, when we set out on that tour from hell. It took at least two days to set up for each concert. We had four container trucks loaded to the ceiling, six buses and seventy-two staff, if you include my cook and Andy. Remember Andy? The personal trainer who quit halfway through because the schedule was too grueling? And letâs not forget the musicians, dancers, backup singers, the stagehands and construction engineers.â
âSo? You gave a lot of people jobs and made a lot of fans deliriously happy.â
âI made myself sick. I made myself crazy. And I canât know for sure that if I donât stop pushing so hard it wonât happen again. Iâve been warned.â
âI think about a different life, too. Itâs almost impossible to imagine one when every second isnât a competition or a negotiation or a pep talk.â
âIâve had my share of your pep talks.â
âHereâs another in that long line. You already know the documentary can both help or hurt your career. Youâll seem more humanâthatâs the good part. On the other hand, youâll seem more human andââ
âThatâs also the bad part,â I finished for him.
âI know this is incredibly personal for you, that you want to share the realities of foster care with the world. That you want to change lives...â
I nodded, waiting, because I heard a âbutâ coming.
He hesitated, then he smiled. Donny doesnât smile a lot, but the room warms when he does. This one was gentle, the way one good friend smiles at another when bad news is on the way.
âWhose life do you want to change, Cecilia?â
âMine, of course, and the people who watch the film.â
âHow about Robinâs?â
I pondered that. âEverything we do changes us, doesnât it?â I asked at last.
âNice save. So let me rephrase. Have you invited her to be part of this for herself or for you.â
âAre you questioning Robinâs credentials?â
âI could. Sheâs a talented photographer, but sheâs never done anything quite like this.â
âMax Filstein says she can do anything she wants. Sheâs that good. I asked him specifically if she could handle this project, and he said of course.â
âDonât forget I was at the party where you and Max had that conversation. What he said was that she would be perfect for the project if she can achieve the distance she needs.â
âRobin knows me better than anyone. She took off the rose-colored glasses a long time
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