than saying âhe or she.â But now that you mention it, I find it harder to see a woman than a man doing what was done to her.â
âAnd what are the odds of some stranger just happening along this road, seeing a naked woman walking and turning out to be a passing psychopath, deciding to beat her to death?â
âThatâs just the problem, isnât it?â Stefan said. âProbably close to zero.â
â DID ANYTHING happen in the car?â Banks asked.
âNo. Caxton went on being the perfect gentleman, chatting, solicitous of my comfort, anxious to help me with my dreams. Giving advice about how to behave onstage, how to deal with stage fright.Stuff like that. He even gave me a cigarette and a glass of champagne. It was the first time Iâd ever tasted it.â
âIn the car? Was there a driver?â
âOh, yes.â
âAnd was the other man with you?â
âYes, but he was in the front with the driver. He didnât say anything the whole way.â
âWas either of them ever questioned?â
âI donât know. I donât think anyone was.â
âAnd the hotel staff saw you when you arrived?â
âNo. We went into a sort of underground car park at the back and got straight in a lift. I donât remember going through reception or anything, or seeing anyone else. Not then. I suppose maybe because he was a celebrity he had a discreet way in. To be honest, I didnât really notice. I was on cloud nine. I was with Danny Caxton and he was going to help me get into show business. I could already see my name in lights.â
âDid the driver and the other man go in with you?â
âNot the driver. Just the other man . . . he . . . yes.â
âOK. Then what happened?â
âWe went up in a tiny lift to the fourth floor, a big suite of rooms, all wood paneling and old-world elegance. Gilt-framed pictures on the walls. Constable prints, Turner, stuff like that. I remember one of a horse standing by a tree. A Stubbs, maybe. It was a sad horse.â
âWhat happened?â
âWe drank more champagne. I had never really drunk alcohol before, except a sip of my dadâs beer once when he was out, and it went straight to my head. I suppose I was giggly, a bit silly. I think I even sang him a song or something.â
âWhat did Caxton do then?â
âHe changed. Just like that. I asked him what I should do next, you know, to get started in the business, and he led me towards the bedroom and said something about passing the audition, that people have to pay for what they get, and they should be grateful. I donât remember it all exactly. I was feeling a bit dizzy. He said the first thing was to take some photos.â
âWith your clothes off?â
âNo. There was still no suggestion of funny business. He said they were to show agents and whatever. A portfolio. Anyway, the other man, the assistant, took some. He had a Polaroid camera and it was the first time Iâd seen one. It was like magic the way the photos came out. I think he took some more later, too, you know, while . . . I thought I could hear the sound of the camera.â
âHow were you feeling by the time he took the photos?â
âI was feeling nervous. Danny Caxton was scaring me a bit, saying things, and the way he looked at me. I felt my heart beating fast. I didnât know what he meant. And the smile had gone. I suppose I was a bit tipsy, too. Like I said, I wasnât used to drinking. I asked him where Helen Shapiro was, and he laughed and said he didnât know. I think he said something rude about her, but I didnât really understand it. Then he sat on the bed and patted the spot next to him. I sat down. I think I told him I wanted to go home.â
Banks could tell that despite Lindaâs calm veneer she was getting upset the more she spoke. It was hardly surprising, given what was to
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