from the comfortable living room into the bedroom. âI like this. Plain and neat. No clutter. A few plants, and it will brighten right up. God, how I hated that four-thousand-square-foot house in California. It never felt like a home. There wasnât one thing in that entire house that said Helen Marie Stanley lived there. Those four thousand square feet shrieked that Daniel Ward lived there. I have to stop talking about him, and I have to stop thinking about him. We arenât to dwell on the past. Just the future.â
Helen bounced on the bed. âWe are going to sleep well tonight, Lucie. Look, thereâs even a bed for you. And a basket of toys. I know you miss your mouse. Iâll look for one as soon as we get settled. It wonât be the same, but youâll adjust the way Iâm adjusting.â
Helen looked around, certain a woman had decorated the apartment. The flowered spread and draperies matched the pale green carpet perfectly. White wicker was feminine and not just for sunporches any longer. Even the bathroom matched the bedroom, with thirsty green towels and ankle-deep throw rugs. The shower, tub, and vanity were spotless, the chrome gleaming. Underneath the vanity were paper products, enough to last months.
One picture hung in the bedroom. Puzzled that someone would hang a picture of a lone pine tree in a bedroom, Helen studied it to see if there was some hidden meaning. At the base of the dark trunk she could make out a name. Edna Mae Trolley. Helen bit down on her lower lip. Edna Mae Trolley, whoever she was, had probably done the same thing sheâd done when she gave her sketch to Mona. âAs long as one person knows youâre alive and well, thatâs all that matters, Edna Mae Trolley. I will treasure this picture because itâs obvious the pine tree has some deep meaning to you.
âThis sofa is so comfortable, we can both sleep on it. Hop up, Lucie. We can eat in here off trays. I always wanted to do that. Now we can. Tonight we can sit here, watch television, and eat popcorn. God, this is so wonderful.â Lucie yipped her pleasure as Helen curled into the side of the wide sofa. Lucie wiggled and squirmed until she was next to her mistress. Moments later, both were asleep.
âArtie, when are the computers going to be up and running?â Isabel grumbled.
âIâve had my people on it round the clock, Izz. Itâs not as simple as you think it is. Three more days, tops. My people are going to help your people do all the inputting. You need to relax.â
âIâm not going to relax until I know Helen Ward is on-line. I want to show you something. She left a gift for me. At first I was angry. I was one step away from tossing her out on her ear until I thought about it. Tell me what you think, gentlemen.â
âSheâs a hell of an artist,â Artie said.
âShe got my good side. Made you look good , Izzie,â Gerry drawled.
âWhat else?â Isabel demanded.
âWhat else what? The dog is a perfect likeness. Itâs kind of sad now that I look at it,â Gerry said.
âMen! The name. Look at the name!â
âSo. Itâs her name, Izz,â Artie said.
âNot anymore it isnât. Sheâs Nancy Baker now. Sheâs supposed to think, act, and become Nancy Baker. This is what she does.â
âJesus, Izzie, donât you understand what she was doing? She had to leave something behind, something that said who she was. She may never become Helen Marie Stanley again. Leaving that picture behind means maybe thereâs hope that someday she can be Helen again. That hope and her dog are all she has. Hell, even a dog marks his territory. Cats too. Listen, I know I couldnât give up my life, my identity. I just couldnât. I came into this life Gerald Davis and I plan on going out with the same name. I imagine Helen more or less feels the same way. Whatâs going on is for now . In
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