describes himself as a docker. If you ask me, the only dock he regularly sees is the one at Brentford Police Court. He is habitually drunk. I was lucky to find him vertical, more or less, when I picked him up at the pub on the corner. By the time his daughter Margaret came home, I made sure Albert Booth was a sober and frightened man, and so was his wife. They were convinced I would get him sent down for three monthsâ hard if I didnât get cooperation. Margaretâs resistance didnât last long. She gave me what I wanted: a tolerable account of Miriam Cromer and her dealings with Josiah Perceval.â
âShe knew about the blackmail, did she?â
âLord, no, nothing so helpful as that. She told me that it was no secret below stairs that Mrs Cromer had a strong dislike for Perceval. Nobody knew why exactly, just that it had got worse in recent weeks. There were sometimes arguments upstairs when Mr Cromer was out, and Perceval seemed to get the better of them, which surprised the servants. They had thought of their mistress as iron-willed, more than a match for the likes of Perceval. What was said was not audible in the servantsâ quarters, but they could tell when voices were raised, and they also knew by the state of Mrs Cromerâs eyes when she had been reduced to tears. That was as much as I got from Margaret Booth about what went on upstairs, butââWaterlow beamed in self-congratulationââI persuaded her to talk about the other servants.â
Cribb tried to appear impressed. Waterlow in the old days had put in less time on the beat than anyone at Stoke Newington. The titbits of gossip any bright young constable picked up automatically from making conversation at doorways were outside his experience. He had never been invited in for a slice of rabbit pie in his life. So it was a triumph to have coaxed a few confidences from Margaret Booth. Cribb listened and made an occasional note. He could raise no interest in how the housekeeper embezzled the accounts and what the parlourmaid got up to with the grocerâs boy. He wanted to know about Miriam Cromer.
What was she like, this woman who would hang unless he found a flaw in her confession? In any regular investigation he would have started by interviewing her, forming an impression of her character. There was more to detective work than clues and statements. It involved people, their ambitions and fears, innocence and guilt. You needed solid evidence to determine the truth, but you could divine a lot by meeting them face to face. Whatever had happened that afternoon in Park Lodge, the question for Cribb was whether Miriam Cromer had done what she claimed. She was the focus of his investigation, but because authority deemed it inappropriate he was prevented from meeting her. He was obliged to glean what he could at second hand, from people whose recollection would be coloured by their own conceits and prejudices. Waterlow was the first.
âWhen I visited the house that evening to put my information to practical use,â the self-advertisement ran on, âI used the tradesmenâs entrance, naturally. Nobody upstairs knew I was making a second visit to Park Lodge. I relied on what I knew to keep the servantsâ tongues from wagging.â
âWhat did the housekeeper tell you?â Cribb asked, his patience on the ebb.
Waterlow smacked his lips. âShe was a frightened woman before I was through, I can tell you, Cribb. What did I learn from her? Why, the very thing I needed: the dates when Mrs Cromer had gone into the studio to talk to Perceval and their raised voices had been heard downstairs. She knew exactly when it happened because the meetings took place when the master of the house was out for the day and not expected back till late in the evening. She has to keep a note of his days out to get her catering right. She keeps a calendar in the kitchen on which such things are marked. There were four
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