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her to pick up the phone.
âThanks sweet boy,â says his aunt. âA drunk and disorderly, eh?â
âYeah. Bye Auntie Annie.â
âBye Quinner.â
âHello?â says Jill and Quinn hangs up.
âJill, Iâm so glad youâre there.â Annie hates interrupting Jill, knows how busy she is, but is busting to tell someone.
âHi Annie. Whatâs up?â
As if it was a command, Annieâs up out of her swivel chair and then walking clockwise around the large cutting table in her loft, too excited to remain seated. âI was trying to reach Les but Quinn said heâs at his new job. Always trying to move up in the pecking order, eh? Itâs a tough business, that chef business.â
âHe wonât be home until after midnight.â
âIâve never seen a restaurant where you can order takeout online. That should keep the place in business. And I might have ordered from there tonight if my Internet wasnât still down with some virus. Smallpox, I think. Andy said heâd fix it but the shithead never didâ â donât curse, Jill doesnât like it â âso Iâm having to call all my clients, which is costing me, and my studio looks like a bombâs hit it because I couldnât find my fucking pins this morning then I couldnât find red bobbin thread ââ
âWhatâs wrong, Annie?â
âI have some great purple leather pockets for Pema, for her jeans? Theyâre heart-shaped, will look great with her jacket.â
âSlow down,â Jill says in such a calm, measured voice that Annie stops pacing. âTell me exactly whatâs going on.â
She sighs. âIâm an idiot, sorry.â
âNo, youâre not. Is it Andy?â
âAndy? I gather that was obvious to everyone but me. Me and my Raggedy Annie and Andy crap.â
âYou can do so much better.â
Criticism totally throws her and sheâs unable to think, much less respond.
âAnnie, what I meant is, is that you deserve better.â
Now she feels badly for thinking Jill was being critical.
âCome over,â Jill says, clearly worried. âHave you eaten? We have lots of leftover lasagna. Pema would love to see those pockets.â
Jillâs sweetness and concern chokes her right up. How did she get so lucky to have such a family?
âAnnie, donât hang up.â
âIâm fine, Jill,â she says, finding her voice again. âAnd itâs not about Andy.â Sheâd never told Jill or Les that the asshole turned out to be married with a kid on the way. âThey found our mother, Jill,â she says, the tears rising. âI need to tell Les.â
âAnnie, now wait. Are they absolutely sure?â
âIn New York City. Her nameâs Faye. Isnât that the most beautiful name? And the coolest?â
âItâs very pretty but ââ
âI can hardly believe it myself and couldnât wait to tell someone.â Her tears erupt in a gagging cough, and âThey finally found her,â comes out in a blubber.
âAnnie,â Jill says gently, âso youâre absolutely sure this time?â
Three Months Later
ANNIE
âThis plane smells,â Annie says to Les as she twists the air knob one way then the other for a lukewarm blast.
Her brotherâs eyes are closed, his head pressing the back of his still-upright seat, desperate for sleep, she knows, after six days in a cheap room in Times Square that vibrated when the traffic barrelled down Broadway. All night long, light from the Squareâs giant TV screen bled through the curtains, so Les reported, to bathe the room in âthe colour of nightmares.â Unlike Les, Annie had slept like a log. External chaos calmed her right down â what a former boyfriend called Ritalin logic.
To help Les get caught up on the plane she gave him a few Ativan, memory erasers
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