Walt Longmire 07 - Hell Is Empty

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stuff into our van, he put a gun case in the back section. It wasn’t long enough to be a full-fledged rifle, but it looked longer than the Mossbergs they were carrying, so I asked him. He said it was one of those Armalites with laser sights.”
    I snorted a laugh. “Great.” I nodded and put a hand on the metal bar that stretched across the door. “If I find the vehicle, I’ll get it and a satellite phone. Keys?”
    He nodded toward the Suburban. “They’re in it.”
    “How trusting of you.” I smiled, but he didn’t smile back.
     
     
    It was, as the Basquo had said, like driving on greased goose shit, and now it was really dark with a skim of snow on the road that made it even slicker. The Suburban was heavy, and I started slowing before Willow Park but still locked the wheels in a left-hand turn that resulted in my sliding into the crusty snow at the side of the road and knocking over one of the ten-foot reflector poles.
    “Well, hell.”
    I threw the Chevy into reverse and easily backed off the roadside onto the snow-covered asphalt. I hit the brakes and could feel the whole truck slide backward an extra four feet.
    “Wonderful. At this rate I’ll be in Ten Sleep by Memorial Day.”
    I dropped the gear selector down into D and pulled back into the flow of things, slowed a little, and was able to keep the Suburban on the road as my mind raced ahead. All the signs pointed to Beatrice Linwood and Shade being in cahoots—the bobbypin keys in the sandwiches, her turning west instead of east, the fact that she hadn’t been able to keep her eyes off of him at the lodge—but the Ameri-Trans van was another story. Why hadn’t it arrived at Joe Iron Cloud’s or Tommy Wayman’s roadblocks at the base of the mountain? The snow continued to collect on the conifers, and they began looking like rib cages in the contrast of light and dark as I thought about all the loose strings.
    It was after I’d made the last curve before hitting the downslope that I saw lights shooting up at an angle. It was a steep embankment alongside a relative straightaway, but there was something odd about the reflection. As I got closer, I could see that it was not one vehicle in the barrow ditch but two.
    I crept the Suburban to a stop about thirty yards away, cut the motor, and put on the flashers along with the Lite-Brite—the name my daughter Cady had given the emergency bars on the roofs of my assorted cruisers. I directed the spotlight at the vent window—a term from my own youth—and illuminated the wreckage.
    It was Beatrice Linwood’s Blazer and the Ameri-Trans convict transport van. From the slush marks and the point where the two vehicles had crashed their way through the snow piled by the road, I was pretty sure that she had driven into their vehicle at the front driver’s side. With her greater velocity, she’d been able to push the much heavier step van into the ditch, where it had partially rolled over and now lay on its side.
    Drawing my Colt, I stepped from the Suburban, careful to take a wide stance, which resulted in my sliding a good nine inches on the glassy surface of the road. I let out a breath, and it sounded like a rattler uncoiling in my lungs, the condensation blowing back in my face with the smell of snakes. I minced a few steps toward the front of the Chevy and could see the body of another one of the federal marshals, lightly covered with splatters of the wet snow, lying beside the ditch.
    “Damn.”
    I eased past the grillwork and crouched by the man’s outstretched hand. There’s nothing quite so still as the dead—an otherworldly stillness. His flesh was frozen, and there was no movement in him. His coat was missing along with his boots and weapons—the sidearm and the shotgun.
    Crouching a little, I pulled my hat on tighter, just to keep it from sailing off with the wind, and started down the slope. The lights were still on inside both vehicles, but the ones from the old Blazer were starting to

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