Vampire Warlords: The Clockwork Vampire Chronicles

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Authors: Andy Remic
Tags: Fiction, General, Fantasy, Epic
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experience. He cast it from his mind. It no longer mattered; he was not dead. He was alive. And he was going to drink deep from the cup of hedonistic fulfilment.
      "Yes." Kell coughed. "Well. Be careful where you stick it. You've gotten in enough bloody trouble already."
      "Like I always prophesied," announced Saark, brightly, "you are the miserable, moaning voice of doom! You should learn to lighten up, Kell. Look at me, heroically skipping along the jaws of death and you don't hear me whining like a little girl with a broke skipping rope. But you, Kell, Kell the mighty Legend, after all we've been through and lived and endured, still you're bleating like a lamb on a cliff ledge without its mama. It's like adventuring with my fucking grandma. What next? A stick? Incontinence trews? Senility? Oh, but you're already holding hands with that old goat." He winked.
      Kell snorted, and scowled, but did not reply. Saark was right, but Kell could not help but have dark thoughts. It was simply the way he was built. With age came great wisdom. It also came with a great amount of moaning. Kell snorted again, and cursed the day he'd met the dandy.
      Nienna moved to Saark, and touched his breast lightly. "How do you feel? How's the wound now?"
      "Healing," said Saark, and pressed his own hand to the chest-wound. "Myriam's drugs helped me sleep." His eyes moved to the now-beautiful vachine, with her long dark curls and flashing, dangerous eyes. She stepped out into the tunnel, surveying the route ahead. Her hips were wide, legs powerful, waist narrow, breasts full beneath a tight leather jerkin. Saark licked his lips. "I had very sweet dreams," he said, finger lifting to touch his tongue, and then dropping to touch his chest unconsciously.
      Nienna saw the look and gesture, and said nothing, but frowned, and turned away. Back to Kell. "Do you trust Myriam?" Her voice was quiet, and she watched Saark move down the tunnel towards the newly changed vachine. She felt a sudden bitterness then, for they had a connection now; a bonding. They were both newly changed, both a different breed to the human. Myriam and Saark were vachine. Whereas she, Nienna, was human. Human, and young, and weak. Too young for Saark. Her eyes narrowed again. For a fleeting moment she wished Shanna and Tashmaniok, the Soul Stealers, had bitten her , changed her into vachine. Shared their blood-oil. Shared their clockwork. Infected her with their disease. Then Saark would have shared with her. He would have looked at her in a different light. Nienna's eyes gleamed.
      Kell rubbed his neck, and rolled his shoulders, then his hips, groaning as he worked at the stiffness which came after sleep. "I trust her as much as I've always trusted the conniving bitch. Which is to say, not at all. But what option do we have? She says she can guide us from this place. If she lies, well then, I'll cut her head from her vachine shoulders and we'll make our own way out."
      "That would be… interesting," said Nienna.
      "So you want her dead, now?"
      "Not dead. Just out of the picture." Nienna crossed to Saark, and touched his arm. He turned to her, lightly, a laugh on his handsome face. The gaunt look of the near-dead was fading. His accelerated vachine healing was kicking in fast. He no longer looked like a walking corpse; health and strength had returned. He took Nienna's hand, but was still talking to Myriam.
      Kell watched all this, and growled a low growl as realisation struck him. There was something there, between Nienna and Saark. Or at least, there was something there from Nienna. Previously, Kell had always focused on the dandy and his machinations towards Kat, Nienna's older friend, for that had been the obvious flirtation. It had taken his eye from the more subtle approaches of his granddaughter.
      "Horse shit," said Kell, and spat on the tunnel floor. "Come on!" His voice was loud and brash. "Let's get moving. You sure it's this way, Myriam,

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