Melinda.
Sheâs passed out on our bathroom floor. I stand at the door, paralyzed. Mom rushes out of the bathroom, back in again with a needle and syringe. She fills the syringe. Jabs. Again. Until Melinda sits up, looks at us, and comes back from the dead. Narcon, the junkie miracle drug, Mom explains later. Saves you from respiratory arrest. Mom shows me how to fill the syringe, how much to give. Just in case I need to bring her back from the dead too.
A bus screeches through a pile of sooty slush, spraying my legs and sending a chill straight to my bones. I wrap my arms around my torso and step onto the milk crate. My heartâs beating wildly. What if Melinda isnât here? What if the noteâs a ploy and all she wants is money? What if I have the wrong address and piss someone off by ringing the bell? But thereâs no bell, and if I donât make a move Iâm going to turn around and hail the first cab out of here. That is, if we can find a cab. So, I knock.
No answer.
âMaybe sheâs out,â Jesse says.
I knock again. Louder this time. I call her name. Still, no answer.
Someone starts shouting at me to chill out. I look up and see a man hanging half his body out a second story window. The guy is fat and bald, and heâs wearing a wife-beater tank even though itâs winter. The shirt doesnât cover his gut, so the view from below is like staring up at the underbelly of some bloated sea creature.
âWhat the hell do you kids want?â he shouts down at us.
I clear my throat and reach for the lighter. âMy nameâs Faith Flores. Iâm looking for Melinda Rivera. She invited me. She was a friend of my momâs.â
The man grumbles and slams the window.
I stand there for a second, unsure what to do, but thereâs no way Iâm leaving until I find out what Melinda has to say about my mom, so I try the door. The knob turns and the door creaks open.
âCome on,â I say to Jesse. âLetâs go.â
âUh. That dude didnât exactly exude friendliness. Do you think itâs a good idea to just walk in?â
âNo,â I say, and go inside.
Jesse sighs, then follows.
Our footsteps echo into the cold gray space as we climb a set of rickety steps to the second floor. We walk down a narrow hall lit by a single bulb dangling from an exposed wire until we reach apartment 2E. I glance at Jesse and knock.
The fat guy from the window opens the door and stands in the entranceway, his pants struggling against his belly to stay up. He sticks his face up to mine. âYou wanna see Melinda?â
I nod, expecting him to tell me to get lost.
âFollow me,â he slurs instead. The stink of his breath is enough to make me sick. âYour boyfriend coming too?â
Iâm about to tell him Jesse isnât my boyfriend, but there are more important things to worry about, so I just nod and follow him into a dark, musty room.
Melindaâs hovering at the edge of the room in baggy gray sweats and a faded Phillies t-shirt. I recognize her hairâblack by birth, blond by the bottle. I recognize her emaciated frame and black eyeliner smudged around her haunted brown eyes. We stand there, neither of us moving. I can hardly breathe. Melindaâs skin is leathery and blistered, like someone whoâs been in the sun too long. And whatâs worse are the red dots like zits or chicken pox covering her face. But the marks arenât zits. They arenât chicken pocks. I know that. Theyâre scabs. Melinda has the same scabby, blistered skin my mom had before she died.
Melinda nods at the fat guy, who disappears down the hall, then she takes a tentative step toward me. âHi, Faith.â
It seems like there should be a different word than âHi.â You say âHiâ to your friends in the hall between classes, âHiâ to the postman or the salesclerk. Not âHiâ to the messed up heroin addict
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