Eorla Kruge, Grand Duchess of the Elven Court, was not a bad one to have.
6
The answering machine was blinking its little red light when I returned from the consulate. The usual collection of pointless messages droned out. I used my cell phone for people I knew and wanted to talk to. The apartment phone handled the solicitors and the bills. I gave them the courtesy of listening before deleting and ignoring. The last message surprised me.
“Hi, Connor Grey. I don’t know if you remember me, but this is Shay. I need your advice on something. If you could stop by 184 A Street later this afternoon, I’d appreciate it. I think I might have a problem.”
Shay was hard to forget. When I met him, I thought he was female. I’d never met a guy who looked so much like a woman—and an attractive one at that. He flirted with me outrageously—and with Murdock and with anyone who came within ten feet of him.
I never learned his whole story, but he’d had a hard life. Like so many other kids, he thought he’d find a place to call home in the Weird. He did, too, but probably not the one he hoped for. Most people didn’t aspire to turning tricks for a male clientele who were into the transgender scene. As if his luck weren’t bad enough, he got himself tangled in a serial killer’s murder spree and lost his boyfriend. I didn’t think there was a chance I would be forgetting Shay anytime soon.
The address on A Street was near the old Gillette razor plant, a short stretch of warehouses that had been converted to working lofts where painters and jewelry artists tried to stand out by living on the edge of the scary neighborhood. Boston artists were a world of their own. New York was not so far off but was a different scene entirely, more competitive, more commercial. More New York. Boston was about the art and, yeah, the money, but Boston artists had an earnestness about them that you usually see only outside the expensive cities.
I huddled in the doorway of the building address Shay gave me to avoid the cold, stamping my feet to keep the blood flowing. A slender figure in a full- length white down coat appeared at the corner. A lock of jet-black hair escaped the round hood fringed with glossy fake fur and waved in the air. I didn’t need to sense Shay’s essence to know it was him. The wind pinked his face as he walked carefully down the sidewalk. When he saw me, his Cupid’s-bow lips curled into a smile, and he raised a mittened hand, more acknowledgment than wave. “Sorry. Work ran late.”
To my surprise, he pulled a key out of his pocket and unlocked the door. Surprise because last I knew, Shay lived in a squat up on Congress Street.
I followed him up steep, wide stairs. “You live here?”
He shifted lightly mascaraed eyes to me. “I have a studio.”
We trailed down a long, high-ceilinged hall with thick, wide-planked floors showing the wear of a century of work. New walls had been constructed to divide a once-open manufacturing space into a warren of small rooms. The odor of thinner, oil paint, and solvents permeated everything. Shay let us through a plain white door that had a yew wreath hung on it.
To the left, a wall ran thirty feet without interruption from the door to a set of windows. Paintings, prints, and other artwork covered every available inch. Nine feet to the right, a large freestanding sink stood next to a homemade wood counter with a two-burner hot plate on it and a small refrigerator of the type that students used in dorm rooms. Two tall bookcases formed a bed alcove in the middle of the narrow studio.
“I never knew you were an artist,” I said.
Shay removed his coat in a whirling motion and hung it among others on a rack by the door. He wore snug blue jeans and a thigh- length charcoal gray sweater. Twisting his lips, he made an exaggerated and amused pout. “You never knew me, period, Connor.”
I smiled. “Does anyone?”
Resting a delicate hand on his hip, he tilted
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