Undermajordomo Minor

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Authors: Patrick deWitt
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Olderglough moved again to exit the room, but in turning the doorknob he found himself transfixed by its apparatus, so that Lucy asked him, “Is there something the matter with the door, sir?”
    Mr. Olderglough didn’t reply for a moment; when he spoke, his voice was dimmed nearly to a whisper. “Would you describe yourself as a fitful sleeper?”
    â€œI suppose I would, sir, yes.”
    â€œGood. May I also ask, do you typically retire early in the evening, or later on?”
    â€œI would say that it varies. Is it safe to assume that you have a preference?”
    â€œIt is indeed. In fact, I will request, with a friendly firmness, that you come to your room no later than ten o’clock, and that you should lock yourself in each night.”
    Lucy wasn’t sure he’d heard correctly. “Did you say you want me to lock myself in, sir?”
    â€œYes.”
    â€œIs that really necessary?”
    â€œYes.”
    â€œAnd why is it necessary, sir?”
    â€œHmm,” Mr. Olderglough said. “You should lock yourself in because I’ve asked it, and because I’m your superior, and so it will avail you to heed me, just as it will please me to be heeded.” After speaking he stood by, happy with his skillful avoidance of the question put to him. He tocked his heels together and left, and Lucy began unpacking his valise. In the drawer of his dresser he found a heavy brass telescope; carved on the side was the name BROOM . He assumed his predecessor used this to chronicle the goings-on of the shanty village, which sat far beneath the tower window, and now he himself did just the same.
    When he peered into the device, the village leapt into view, colorful and fast-moving. He caught a glimpse of young Mewe exiting his shanty, stepping with speed and purpose but suddenly stopping, an expression of doubt on his face. Now he doubled back and returned to his home, and he did not exit again. Memel was standing outside his shanty just next door, arguing with a slight girl whose features Lucy couldn’t make out, as she was facing away from him. When she stalked off, Memel called after her, to no avail. He was smiling as he watched her leave; their argument, at least for him, was not a vicious or serious one. Alone now, he removed a pipe from his pocket and began filling this with tobacco. Lucy had forgotten Memel had stolen it. He decided to retrieve it, and after tucking his valise beneath the bed he descended the corkscrewed stone stairwell.

1
    I t had just gone six o’clock as Lucy ambled down the hill before the castle. The winter sun had dipped below the mountain, and the village wore the properties of night prematurely. The cold stung at his ears and he pulled his hat down to cover them. As he walked past the shuttered stalls in the marketplace, a half-dozen children assembled behind him, stepping in a clutching cluster to observe him and wonder at his arrival. They were giddy to be stalking the newcomer, and while there was an element of danger to this adventure, they themselves knew, in the way children know such things, that Lucy was not a bad man. Still, when he spun about to greet them, they scattered in individual directions, each one shrieking ecstatically. Lucy blushed at the attention but also felt happy, even proud in a way, as though he had been formally announced.
    Passing Mewe’s shanty, he noticed the window was ajar, and he paused to peer inside. Mewe sat at an uneven table, playing cards fanned out in his hands. His face bore the penitent look of one who has just been caught cheating, because he had just been. Across from Mewe was a young woman, and she was very pretty indeed, if the truth would be known. In point of fact she was more than pretty: she was exquisite.
    She was his age, Lucy supposed, or slightly younger. She wore her abundant brown hair stacked atop her head, exposing a delicate jawline angling into a long, tapered neck. The silhouette

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