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Authors: Henri Barbusse
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their greatcoats yellowish-green, and their muddy helmets sporting the crescent in place of our grenade. Their eyes are like balls of ivory or onyx, that shine from faces like new pennies, flattened or angular. Now and again comes swaying along above the line the coal-black mask of a Senegalese sharpshooter. Behind the company goes a red flag with a green hand in the center.
We watch them in silence. These are asked no questions. They command respect, and even a little fear.
All the same, these Africans seem jolly and in high spirits. They are going, of course, to the first line. That is their place, and their passing is the sign of an imminent attack. They are made for the offensive.
"Those and the 75 gun we can take our hats off to. They're everywhere sent ahead at big moments, the Moroccan Division."
"They can't quite fit in with us. They go too fast--and there's no
way of stopping them."
Some of these diabolical images in yellow wood or bronze or ebony are serious of mien, uneasy, and taciturn. Their faces have the disquieting and secret look of the snare suddenly discovered. The others laugh with a laugh that jangles like fantastic foreign instruments of music, a laugh that bares the teeth.
We talk over the characteristics of these Africans; their ferocity in attack, their devouring passion to be in with the bayonet, their predilection for "no quarter." We recall those tales that they themselves willingly tell, all in much the same words and with the same gestures. They raise their arms over their heads--"Kam'rad, Kam'rad!" "Non, pas Kam'rad!" And in pantomime they drive a bayonet forward, at belly-height, drawing it back then with the help of a foot.
One of the sharpshooters overhears our talk as he passes. He looks upon us, laughs abundantly in his helmeted turban, and repeats our words with significant shakes of his head: "Pas Kam'rad, non pas Kam'rad, never! Cut head off!"
"No doubt they're a different race from us, with their tent-cloth skin," Barque confesses, though he does not know himself what "cold feet" are. "It worries them to rest, you know; they only live for the minute when the officer puts his watch back in his pocket and says, 'Off you go!'"
"In fact, they're real soldiers."
"We are not soldiers," says big Lamuse, "we're men." Though the evening has grown darker now, that plain true saying sheds something like a glimmering light on the men who are waiting here, waiting since the morning. waiting since months ago.
They are men, good fellows of all kinds, rudely torn away from the joy of life. Like any other men whom you take in the mass, they are ignorant and of narrow outlook, full of a sound common sense--which some-times gets off the rails--disposed to be led and to do as they are bid, enduring under hardships, long-suffering.
They are simple men further simplified, in whom the merely primitive instincts have been accentuated by the force of circumstances--the instinct of self-preservation, the hard-gripped hope of living through, the joy of food, of drink, and of sleep. And at intervals they are cries and dark shudders of humanity that issue from the silence and the shadows of their great human hearts.
When we can no longer see clearly, we hear down there the murmur of a command, which comes nearer and rings loud--"Second half-section! Muster!" We fall in; it is the call.
"Gee up!" says the corporal. We are set in motion. In front of the tool-depot there is a halt and trampling. To each is given a spade or pickax. An N.C.O. presents the handles in the gloom: "You, a spade; there, hop it! You a spade, too; you a pick. Allons, hurry up and get off."
We leave by the communication trench at right angles to our own, and
straight ahead towards the changeful frontier, now alive and
terrible.
Up in the somber sky, the strong staccato panting of an invisible aeroplane circles in wide descending coils and fills infinity. In front, to right and left, everywhere, thunderclaps roll with great
We watch them in silence. These are asked no questions. They command respect, and even a little fear.
All the same, these Africans seem jolly and in high spirits. They are going, of course, to the first line. That is their place, and their passing is the sign of an imminent attack. They are made for the offensive.
"Those and the 75 gun we can take our hats off to. They're everywhere sent ahead at big moments, the Moroccan Division."
"They can't quite fit in with us. They go too fast--and there's no
way of stopping them."
Some of these diabolical images in yellow wood or bronze or ebony are serious of mien, uneasy, and taciturn. Their faces have the disquieting and secret look of the snare suddenly discovered. The others laugh with a laugh that jangles like fantastic foreign instruments of music, a laugh that bares the teeth.
We talk over the characteristics of these Africans; their ferocity in attack, their devouring passion to be in with the bayonet, their predilection for "no quarter." We recall those tales that they themselves willingly tell, all in much the same words and with the same gestures. They raise their arms over their heads--"Kam'rad, Kam'rad!" "Non, pas Kam'rad!" And in pantomime they drive a bayonet forward, at belly-height, drawing it back then with the help of a foot.
One of the sharpshooters overhears our talk as he passes. He looks upon us, laughs abundantly in his helmeted turban, and repeats our words with significant shakes of his head: "Pas Kam'rad, non pas Kam'rad, never! Cut head off!"
"No doubt they're a different race from us, with their tent-cloth skin," Barque confesses, though he does not know himself what "cold feet" are. "It worries them to rest, you know; they only live for the minute when the officer puts his watch back in his pocket and says, 'Off you go!'"
"In fact, they're real soldiers."
"We are not soldiers," says big Lamuse, "we're men." Though the evening has grown darker now, that plain true saying sheds something like a glimmering light on the men who are waiting here, waiting since the morning. waiting since months ago.
They are men, good fellows of all kinds, rudely torn away from the joy of life. Like any other men whom you take in the mass, they are ignorant and of narrow outlook, full of a sound common sense--which some-times gets off the rails--disposed to be led and to do as they are bid, enduring under hardships, long-suffering.
They are simple men further simplified, in whom the merely primitive instincts have been accentuated by the force of circumstances--the instinct of self-preservation, the hard-gripped hope of living through, the joy of food, of drink, and of sleep. And at intervals they are cries and dark shudders of humanity that issue from the silence and the shadows of their great human hearts.
When we can no longer see clearly, we hear down there the murmur of a command, which comes nearer and rings loud--"Second half-section! Muster!" We fall in; it is the call.
"Gee up!" says the corporal. We are set in motion. In front of the tool-depot there is a halt and trampling. To each is given a spade or pickax. An N.C.O. presents the handles in the gloom: "You, a spade; there, hop it! You a spade, too; you a pick. Allons, hurry up and get off."
We leave by the communication trench at right angles to our own, and
straight ahead towards the changeful frontier, now alive and
terrible.
Up in the somber sky, the strong staccato panting of an invisible aeroplane circles in wide descending coils and fills infinity. In front, to right and left, everywhere, thunderclaps roll with great
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