was?â
He was at a loss. He felt how hot his face was, how sweaty because heâd walked so quickly all the way home just to ask her this. âBut people are poor there. And you can be arrested just for speaking your mind. Itâs like a prison, and thereâs an iron curtain all the way around it.â
âThatâs true. Now arenât you happy you are Canadian?â She went back to peeling potatoes. âNa. What did you learn in French class?â
Now she fiddles with the crinkly paper of the bouquet. âMy mother was only sixty-three when she died. Iâm more than a decade older than my own mother. Can you imagine?â
The subway jostles. âShe was probably about forty when I left. She seemed so old. Old and angry. My God, always angry. We couldnât do anything right. Zsofi and I, we used to go out at night just the two of us, sit in the courtyard, or wander up and down Szent Istvan Korut, just to be free of her.â
As his mother rambles, Tibor turns his mind to the coffee house near Ferenciek Terâits elegant round tables and soaring ceilingsâand the reading heâd brought with him. If they spent thirty minutes in the cemetery, an hour even, he could still salvage the late afternoon. Sheâd need a rest and he could get away, finish his paper, join his friend Peter later for a drink, as planned. Tibor wanted to talk to him about this paper he was working on, about the tunnels and the creation of fear, fear and far-right paranoia. He and his mother ride the rest of the way without talking.
âHere we are.â His mother pats his thigh. Grasping the rail, she stands while the train is still moving. It shudders to a stop and she sways, finding her balance.
Forty minutes later, Agnes picks her way along the rough stone paths of the old graveyard, map in hand. The map is drawn in blue ballpoint on a sheet of paper torn from the kind of little notepad only old ladies carry in their purses. Itâs getting soggy in the rain.
âMom, can I just take a look at that?â
She hadnât asked him to come. She hadnât asked for a lecture on Soviet architecture or his solicitous hand at her elbow. She doesnât need his help reading the map, though heâs already twice reached out his hand for it. âI am fully capable of reading a map, Tibor,â sheâs said each time, but she doesnât want to seem secretive or raise his suspicion. Heâd never believe her, for a start. He has his own ideas about history. Thatâs fine. Historians tend to miss the point.
âI donât think weâre going in the right direction, Mom. Could you just let me see the map?â
The rain had started almost as soon as theyâd exited the subway. A cold, thick winter rain. Sheâd worn waterproof boots, in expectation of slush. Tibor had not, and his suede walking shoes were getting soaked through. She says nothing about his impractical shoes or the slush or the creeping cold. Neither does he, though theyâve been wandering in circles for more than an hour.
Agnes looks around. Nothing is quite as it should be. The paths veer left where they ought to be straight. Trees obscure what sheâd been assured were obvious markers: the sculpture of a couple, dressed in 1950s workersâ garb. A tall angel, wings spread. The rain is creeping under the collar of her jacket, and her umbrella is next to useless. A foolâs errand, made worse by her sonâs immaculately contained seething.
The map is from a Hungarian woman sheâd met in Toronto at a funeral. It was funny, the way it happened. So coincidental, she couldnât help but think it must mean something. The service was over and Agnes was downstairs in the church basement, eating a sandwich. The Hungarian accent was the first thing she noticed.
âWe were four women to a cell. There was me, Klara Lengyel, Marta Horvath, and Zsofiâ¦Zsofi Perec? No. Zsofi Teglas
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